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ON FREE VIEW 
AT THE AMERICAN ART GALLERIES 


FROM SATURDAY, FEBRUARY 20TH, UNTIL THE MORNING 
OF THE DAY OF SALE 
FROM 9 A.M. UNTIL 6 P.M. 


THE ARTISTIC PROPERTY 


BELONGING TO THE ESTATE 
OF THE LATE 


ICHABOD T. WILLIAMS, Esa. 


UNRESTRICTED PUBLIC SALE 
BY ORDER OF THE TRUSTEES 
AT THE AMERICAN ART GALLERIES 
MADISON SQUARE SOUTH, NEW YORK 


ON THURSDAY, FRIDAY AND SATURDAY AFTERNOONS 
FEBRUARY 25TH, 26TH AND _ 27/TH,1915 


BEGINNING AT 2.30 O’CLOCK 
AND 


ON FRIDAY EVENING, FEBRUARY 26TH 
BEGINNING PROMPTLY AT 8 O’CLOCK 


PART II 


CATALOGUE 


OF 


THE ARTISTIC PROPERTY 


FURNITURE BY COTTIER & CO. 


AND OTHER OBJECTS OF HOUSEHOLD UTILITY 
| AND EMBELLISHMENT 


REMOVED FROM THE RESIDENCE OF THE LATE 


ICHABOD T. WILLIAMS, Esa. 


OF NEW YORK 


TO BE DISPOSED OF 
AT UNRESTRICTED PUBLIC SALE 


BY DIRECTION OF 
THOMAS WILLIAMS AND HENRY K. S. WILLIAMS, TRUSTEES 


ON THE DATES HEREIN STATED 


THE SALE WILL BE CONDUCTED BY 
MR. THOMAS E. KIRBY 
ASSISTED BY MR. OTTO BERNET, OF 
THE AMERICAN ART ASSOCIATION, MANAGERS 


NEW YORK 
1915 


THE AMERICAN ART ASSOCIATION 
DESIGNS ITS CATALOGUES AND DIRECTS 
ALL DETAILS OF ILLUSTRATION 
TEXT AND TYPOGRAPHY 


CONDITIONS OF SALE 


1. Any bid which is merely a nominal or fractional advance may 
be rejected by the auctioneer, if, in his judgment, such bid would be 
likely to affect the sale injuriously. 

_ 2. The highest bidder shall be the buyer, and if any dispute 
arise between two or more bidders, the auctioneer shall either decide 
the same or put up for re-sale the lot so in dispute. 

3. Payment shall be made of all or such part of the purchase 
mioney as may be required, and the names and addresses of the pur- 
chasers shall be given immediately on the sale of every lot, in default 
of which the lot so purchased shall be immediately put up again and 
re-sold. 

Payment of that part of the purchase money not made at the 
time of sale shall be made within ten days thereafter, in default of 
which the undersigned may either continue to hold the lots at the 
risk of the purchaser and take such action as may be necessary for 
the enforcement of the sale, or may at public or private sale, and 
without other than this notice, re-sell the lots for the benefit of such 
purchaser, and the deficiency (if any) arising from such re-sale shall 
be a charge against such purchaser. 

4. Delivery of any purchase will be made only upon payment 
of the total amount due for all purchases at the sale. 

Deliveries will be made on sales days between the hours of 9 
A. M. and 1 P. M., and on other days—except holidays—between the 
hours of 9 A. M. and 5 P.M. 

Delivery of any purchase will be made only at the American Art 
Galleries, or other place of sale, as the case may be, and only on pre- 
senting the bill of purchase. 

Delivery may be made, at the discretion of the Association, of 
any purchase during the session of the sale at which it was sold. 

5. Shipping, boxing or wrapping of purchases is a business in 
which the Association is in no wise engaged, and will not be performed 
by the Association for purchasers. The Association will, however, 
afford to purchasers every facility for employing at current and 
reasonable rates carriers and packers; doing so, however, without any 
assumption of responsibility on its part for the acts and charges of 
the parties engaged for such service. 

6. Storage of any purchase shall be at the sole risk of the pur- 
chaser. Title passes upon the fall of the auctioneer’s hammer, and 
thereafter, while the Association will exercise due caution in caring 


for and delivering such purchase, it will not hold itself responsible if 
such purchase be lost, stolen, damaged or destroyed. 

Storage charges will be made upon all purchases not removed 
within ten days from the date of the sale thereof. 

7. Guarantee is not made either by the owner or the Association 
of the correctness of the description, genuineness or authenticity of 
any lot, and no sale will be set aside on account of any incorrectness, 
error of cataloguing, or any imperfection not noted. Every lot is 
on public exhibition one or more days prior to its sale, after which 
it is sold ‘‘as is’’ and without recourse. 

The Association exercises great care to atone every lot cor- 
rectly, and will give consideration to the opinion of any trustworthy 
expert to the effect that any lot has been incorrectly catalogued, and, 
in its judgment, may either sell the lot as catalogued or make mention 
of the opinion of such expert, who thereby would become responsible 
for such damage as might result were his opinion without proper 
foundation. 2 


SPECIAL NOTICE. 

Buying or bidding by the Association for responsible parties on 
orders transmitted to it by mail, telegraph or telephone, will be faith- 
fully attended to without charge or commission. Any purchase so 
made will be subject to the above Conditions of Sale, which cannot 
in any manner be modified. The Association, however, in the event of 
making a purchase of a lot consisting of one or more books for a pur- 
chaser who has not, through himself or his agent, been present at 
the exhibition or sale, will permit such lot to be returned within ten 
days from the date of sale, and the purchase money will be returned, if 
the lot in any material manner differs from its catalogue description. 

Orders for execution by the Association should be written and 
given with such plainness as to leave no room for misunderstanding. 
Not only should the lot number be given, but also the title, and bids 
should be stated to be so much for the lot, and when the lot consists 
of one or more volumes of books or objects of art, the bid per volume 
or piece should also be stated. If the one transmitting the order is 
unknown to the Association, a deposit should be sent or reference sub- 
mitted. Shipping directions should also be given. 

Priced copies of the catalogue of any sale, or any session thereof, 
will be furnished by the Association at a reasonable charge. 

AMERICAN ART ASSOCIATION, 
| American Art Galleries, 
Madison Square South, 
New York City. 


FIRST AFTERNOON’S SALE 
THURSDAY, FEBRUARY 25, 1915 


AT THE AMERICAN ART GALLERIES 
BEGINNING AT 2.30 o’cLOCK 


Which Includes Catalogue Nos. 1 to 225 


CHINESE BLUE AND WHITE PORCELAINS 


1—Two Miniature VASES 


For bird-cages. One blue and white and the other decorated in 
colors. 


2—Fovur Mintature VAsEs 


Various blue and white decoration. 


3—Two BLuE and WHITE SNUFF-BOTTLES 


One decorated with figures and landscape and the other with panels 
of Pau-kwa. 


4—BiuE anp WHITE CovuPE 


Of the soft paste type. Dragons, cloud forms and fire emblems 
in brilliant underglaze blue over a brown crackle surface. 


5—Two Smartt BuvuE anp WHuitTeE VASES 


One with panels of figures and flowers, the other with tree peonies 
in opaque blue. 


6—Pair Biuur anp WuHuitrE Smart VASES 


Panel decoration of figures and flowers in dark blue. (One imper- 
fect. ) 


Furst Afternoon 


Y—SmatL BuvuE anp WuHitE VASE 


Oviform, with silver base and neck. Floral sprays in two tones 


of blue. 


8S—BLvuE anp WuitsE PEaAR-sHAPED VASE 


Blossoming shrubs in two tones of underglaze blue. 


9—Two BuuE anp Wuitre Tatu Cups 


Of eggshell porcelain. Ferns and flowers penciled in underglaze 


blue. (Imperfect. ) 


10—K?’anc-Hst BLUE anp Wuitr CovEerED Bown 


On tall foot and with two scroll.handles. Clear white hard paste, 
with decoration of tulips and leaf scrolls painted in underglaze 
blue of opaque quality. 


11—Oup Canton BuveE anno Waite DisH 


Oval shape, with pierced border. Decoration of landscape and 
river view in opaque cobalt blue. Guilt edge. 


12— K’anc-ust BuuE anp Wuite PLATE 


Semi-eggshell porcelain. Decoration of ferns and blossoms. Pierced 
lattice border. 


18—K’anc-Hs1 BLUE anp WuitEtE Bown 


Clear white sonorous hard paste, finely painted on the inner and the 
outer surface with peony and leaf scrolls in fine quality of opaque 
blue. Six-character mark of the period. 


14—K’ane-Hust BLuE anp WuitE Bown 


The decoration similar to the preceding. (Imperfect.) 


15—K’ane-Hst BuuE anp Waite Larct Bown 


Thin white sonorous hard paste. Decoration of conventional floral 
scrolls and border design in white reserve on a ground of opaque 


mazarine blue of exceedingly fine quality. 
Diameter, 734, inches. 


First Afternoon 


16—K’anc-ust BiuE anp Wuitre Larcrt Bown 
Thin sonorous porcelain. Decoration of tree peonies, magnolia in 
bloom, rockery and birds in brilliant underglaze blue. (Repaired). 


2 Diameter, 734 inches. 


17—K’anc-ust BuuE anp Wuitre Bowr 
Panel decoration of Chinese domestic and garden scenes, painted 
in two tones of underglaze blue. Seal mark of the period. 


Diameter, 7%, inches. 


18—K’ane-ust BuuE anp WuitE Coverep Cup 
With side handle and tall foot. Decoration in opaque cobalt blue 
of birds, leaf scrolls and border design. Metal mounts. (Cover 


repaired. ) : 
Height, 51% inches. 


19—K’anc-Hst BLUE anp WuiItrE CovERED JAR 


Cylindrical shape. Leaf scrolls, painted in opaque mazarine blue 


on a brilliant white ground. 
Height, 61, inches. 


20—Yune Cutine Buivue anp Waite Ovirorm Jar 
Of soft paste type. Tree peonies, plum in blossom and other de- 
signs finely painted in two tones of underglaze blue. 
Height, 64, inches. 


21—CwH’IEN-LUNG BLUE AND WHITE PrarR-sHAPED VASE 


Plum in blossom, Show symbol and Chinese poem, penciled in two 


tones of underglaze blue. 
Height, 7%, inches. 


22K’ anc-usi BuuE anp WHuiTE VASE 


Tall slender oviform. Lotus scrolls, scepter-head and palmette 
borders, finely penciled in underglaze blue. Bears a six-character 


mark of Chia-Ching (1522-1566). 
Height, 81% inches. 


23—K’ane-Hst BiurE anp WuitE TrEa-cappy 
Decoration of landscapes and figures in panels and borders of 
peony scrolls penciled in underglaze blue. (Cover repaired.) 
Height, 7/, inches; width, 51, inches. 


First Afternoon 


24—BiLuE AND Wuitr Piutcrim BorTrLe 


Landscapes, river view and Chinese poems in two side panels; but- 
terflies, fruits and flowers on edges. (Repaired.) 
Height, 91/, inches; width, 8 inches. — 


25—K’anc-Hst BLUE AND WHITE GARNITURE 


Consisting of three covered jars and two beakers. Decoration of 
palm trees and grapevine in bearing. (Repaired.) 


Respective heights, 11 and 9% inches. 


26—K’anc-Hst BLUE AND WuitE HawTHorn JAR 


Inverted pear-shape. The ground of fine opaque blue, marked 
with darker lines to resemble cracking ice and decorated with as- 
cending and descending branches of the prunus in blossom in white 


reserve. 
Height, 914 inches; diameter, 8 inches. 


27—CwHIEN-LUNG BLUE anp WuitTt VASE 


Quadrilateral form, with spreading neck and base and two elephant- 
head handles. Decoration of peonies and leaf scrolls, bands and 
borders of scepter-heads, palmettes and Greek fret, painted in 


two tones of underglaze blue. 
Height, 18% inches. 


28—Hsttan-TE Buurt anp WuitE VAsE 


Tall cylindrical shape, with trumpet neck. Decoration of tree 
peonies, rockeries, birds and border designs in Mohammedan blue. 


Height, 18 inches. 


29—K’anc-Hs1 BLUE AnD WuiItTE BEAKER-SHAPED VASE 


The decoration consists of a series of slightly indented panels, in 
which are peonies and leaf scrolls, penciled in two tones of under- 
glaze blue. The borders, which are in slight relief, are also deco- 
rated in blue. 

Height, 1814 inches. 

30—K’anc-Hst BLUE anp WuiteE VasE 

Oviform, with spreading base and trumpet-shaped: neck. Within 
four panels painted in underglaze blue are the plum in blossom, 
tree peony and chrysanthemum. Round the shoulder and base 
are broad bands of scepter-head scrolls, and encircling the neck are 
lotus and leaf scrolls in white reserve on an opaque cobalt blue 


ground. 
Height, 20 inches. 


First Afternoon 


31—Buve anp Wuire Vase 


Pear-shape, with receding base and spreading mouth. Covered 
with a white crackle glaze, over which is a decoration of birds on a 
magnolia tree and peony flowers, modeled in slight relief and painted 
in underglaze blue. Bands of ogre-heads and grapevine motive to 
resemble iron. 


Height, 24 inches. 
32—K’anc-us1 BLUE ann WuHuitE PLATE 
Peonies and leafy scrolls, painted in two tones of underglaze blue. 


Diameter, 1414 inches. 


33—Larcre BuveE anp Wuire DisH 


Dense sonorous porcelain. Decoration of tree peonies, rockeries, 
peacock and pea-hen, painted in underglaze blue of opaque quality. 


34—K’ane-HsiI BuuE anp WHITE VASE 


Oviform, with short spreading neck. Decoration of the “Hundred 
Antiques,” in white reserve modeled in slight relief on a cobalt- « 
blue ground of a diaper pattern. The shoulder and neck decorated 
with symbols and archaic patterns in underglaze blue and rouge 


de cutvre. 
Height, 16 inches. 


SINGLE COLOR SPECIMENS 


35—SMALL GLOBULAR COUPE 


K’ang-hsi. Coated with a clair-de-lune glaze. Has gilt openwork 
cover of bamboo design. 


36—CH’IEN-LUNG SMALL GALIPOT 


Coated with a robin’s-egg blue sowfflé glaze. 


37—Yune CHine JAR 
Invested with a coral-red glaze of even quality. 
Height, 414, inches. 
38—CHIEN-LUNG PEAR-SHAPED VASE 


Covered with a robin’s-egg blue soufflé glaze. 
Height, 6 inches. 


First Afternoon 


39—CwHieN-LUuNG Ivory-wuHiTE VASE 
Cylindrical shape. Branches of plum blossoms modeled in relief. 
Height, 61% inches. 
40—Taovu-Kuane PrEar-sHAPED VASE 
Coated with a thick red glaze of sang-de-beuf ea 
Height, 7 inches. 
41—CwIEN-LUNG BoTTLE-sHAPED VASE 
Coated with a sang-de-beuf glaze over a celadon crackled ground. 
Height, 8 inches. 
42—Sune Tine Yao Vase 
Bottle-shaped, with bulbous mouth. Decoration of archaic drag- 
ons and band of palmettes carved in relief under a soft ivory-white 
glaze. (Repaired.) ; 
Height, 91% inches. 
43—CwHIEN-LUNG WHITE VASE | 
Cylindrical shape, with two elephant-head handles. Enameled with 
a brilliant white glaze and ornamented with plum tree in blossom 
modeled in high relief. 
Height, 834 inches. 
44—Yune CHtne QuADRILATERAL VASE 
Dense porcelain, coated with a brown crackle glaze of fine quality 


and ornamented in relief with the “eight trigrams.” 
Height, 9 inches. 


45—Mine Pottery Disu 
Bowl shape. Coated with an interesting green glaze and orna- 


mented with three large peonies and leafy scrolls which are worked 


in high relief in the paste. 
Height, 4 inches; diameter, 7, inches. 


46—CHIEN-LUNG GLOBULAR JAR 
Invested with a monochrome glaze of burnt-umber color of iri- 
descent quality. Has carved wood openwork cover. 
Height, 61, inches 
47—K’anc-Hs1 CeLapon VASE 
Globular body, with trumpet-shaped neck on which are two ring 
handles. Enameled with a sea-green celadon glaze over an ornamen- 
tation of floral and leaf scrolls which is carved in relief in the paste. 


Height, 914 inches. 


First Afternoon 


48—CwIEN-LUNG TEA-coLor VASE 
Pear-shape, with bulbous mouth. Covered with a tea-color glaze 
of fine even quality. Underneath the foot an engraved seal mark 


of the period. 
Height, 11 inches. 


49-—CH’IEN-LUNG SANG-DE-POULET GALIPOT 
Of clear white hard paste and graceful shape. Invested with a 
monochrome glaze of sang-de-poulet of very fine quality. 
Height, 91% inches. 
50—Parr CHINESE PorcELAIN Vases 
Quadrilateral shape, with tube handles. Coated with a red glaze 
of sang-de-beuf type, over which is a decoration of figures, flowers 
and birds in gilding. 
Height, 10 inches. 
51—Cuw'ten-Lune Borrie-sHapep VASE 


Of graceful shape. Invested with a monochrome soufflé glaze of 


crushed strawberry tint of fine even quality. 
Height, 12 inches. 


52—Yune Cuene TuravoisE-BLvuE VAsE 
Pear-shape, with broad mouth. Dense hard paste, decorated with 
sea dragons, modeled in relief and inside wave design underneath 


a turquoise-blue vase. 
Height, 10 inches. 


53—Cu’1en-LUNG BoTTrLE-sHAPED VASE 


Hard paste. Enameled with a monochrome glaze of “moonlight” 


white. 
Height, 121% inches. 


54—Cuwien-Lune TurevuoisE-BLvuE VASE 
Graceful bottle-shape. Invested with a turquoise-blue glaze of 
opaque quality and profusely decorated with a five-clawed dragon, 
phenix, bats and cloud forms finely etched in the paste. Under- 
neath the foot, seal mark of the period. Has metal collar. 
Height, 1214, inches. 


55—Taovu-Kvane BorrLe-sHaPep VASE 
Dense porcelain; coated with a brilliant red glaze. 
Height, 138%, inches. 


First Afternoon 


56—CwH’IEN-LUNG VASE 


Graceful bottle-shape. Coated with a red glaze of sang-de-beuf 
type, an exhibiting purple streak at neck and the base. 
Height, 15 inches. 


57—Mine Potrrery GaAuLipror 
Coated with a thick mottled blue and brown glaze. 
Height, 1114 inches. 


58—CwH'IEN-LUNG Prar-sHAPED VASE 
Coated with a gray crackled glaze and ornamented with four drag- 
ons which are modeled in high relief and enameled respectively in 
rose-pink, coral-red, blue and green. Underneath the foot is a seal 


mark of the period. : 
Height, 18 inches. 


59—Mine Pottery TuravuolisE-BLUE VASE 
Octagonal shape, with trumpet neck and two chimera-head handles, 
and on a permanent step-shaped base. Ornamented with-floral mo- 
tives and fret patterns worked in relief and incised underneath 


a turquoise-blue glaze. 
Height, 131, inches. 


60—K?’anc-Hs1 VASE 
Globular body, with spreading neck and receding base. It is in- 
vested with an interesting glaze of turquoise-blue and mottled 


brown of metallic aspect. 
Height, 114%, inches; diameter, 8 inches. 


61—K’anc-us1 VasE 
Globular body, with short neck which is encircled with a wide 
scalloped flange. Invested with a mottled blue and black glaze 


to resemble granite. 
Height, 1134 inches; diameter, 71, inches. 


62—Mine Pottery VasE 
Oviform, with spreading base and very short neck. Invested with 
a monochrome glaze of citron-green over a crackled surface. On 
the shoulders Sanscrit characters in black under the glaze. 
Height, 1234 inches. 


First Afternoon 


63—K’anc-ust Jar 
With two mask handles on shoulder. Of dense hard paste, coated 
with a very pale celadon glaze applied over a network of pink 
crackle. 
Height, 1014 inches; diameter, 1014 inches. 
64—Mine Porrery Jar. 
Globular shape with wide mouth. Of dense porcelain, and coated 
with a thick running glaze of white, blue and brown under which, 
worked in the paste, are peonies and scrolls. 


Height, 91% inches; diameter, 101%, inches. 
65—Earty Mine CEetapon JAR 


Globular shape, with broad mouth. It is of dense hard paste and 
is ornamented with mythical animals, wave designs, melons, foliage, 
and a wide border of gadroons, which are worked in high relief 
under a monochrome glaze of pure sea-green tint. 


Height, 91% inches; diameter, 12 inches. 


66—CHINESE PorcELAIN CricKkET Box 


Landscape decoration; red glaze with scrolls in gilding. 


67—CuIEN-LUNG PEncIL VASE 


Quadrilateral. Panel decoration of figures and birds. Chocolate 
-glaze on edges and diapers in gilding. Seal mark. 


68—Miniarure Garnirure 
Consisting of two covered jars and beaker. Decoration of flowers, 
ornaments and symbols, painted in black and gold. 
Respective heights, 5Y, and 4, inches. 
69—CyuinpricaL VasE 
Chinese porcelain. Legendary subject in white on a mirror-black 
ground. Borders in brilliant enamel colors. 
Height, 5 inches. 
70—CwH'iEN-LuNG Decorated Bowl 
Thin sonorous porcelain. Four five-clawed dragons, the sacred 
pearl and floral scrolls painted in brilliant enamel colors on an en- 
graved Imperial yellow ground. Underneath the foot a seal mark 
of the period. 


Diameter, 7 inches. 


First Afternoon 


“1—Cwien-tune Larct Bown 


Sonorous hard paste. Panel decoration of birds and flowers, and 
intervening spaces filled in with conventional flowers and leaf scrolls 
on a brilliant blue ground. Borders and bands of key pattern and 


gadroons. 
Height, 5 inches; diameter, 8 inches. 


72—UnievuE Oxup CuinesE BotTrLe 


Quadrilateral shape, with short neck. Four upright panels un- 
glazed and ornamented with kylins, tree peonies, dragons and other 
designs, carved in relief and partially glazed in white. The edges 
and shoulder decorated with scrolls in white enamel. 

Height, 1014 inches. 


73—CwHIEN-LUNG DECORATED VASE 


Pear-shape, with tall neck and broad mouth. ‘Two elephant-head 
handles modeled in relief. Invested with an orange-yellow glaze 
and ornamented with archaic dragons, bands of palmettes and gad- 
roons, which are etched in the paste and enameled in blue, purple, 
green and white. 
Height, 11 inches. 
74—K’ane-us!t BoTTLE-SsHAPED VASE 


Clear white hard paste. Decoration of a bold dragon amidst cloud 
forms, painted in brilliant underglaze blue and sang-de-beuf tint. 


Height, 141, inches. 
75—Oup CurnesE PorceLaIn Piate 
Covered with a brown crackle glaze and decorated with equestrian 
and other figures of warriors in brilliant enamels. 


Diameter, 1314, inches. 


JAPANESE PORCELAINS AND POTTERY 


76—JAPANESE PorRCELAIN Bown. By YEIRAKU 


Nineteenth century. The outer surface covered with a brown glaze 
which is flecked with minute metallic spots. The inner surface dec- 
orated with pheenixes and floral scrolls penciled in gold over a bril- 
hant red glaze, and a kylin and fire symbols in underglaze blue. 
Underneath the foot a six-character mark of Yeiraku penciled in 
gold on a brilliant red ground. 


Diameter 6 inches. 


First Afternoon 


77—JAPANESE PorcEeLAaIn Bown 
Richly decorated in Chinese style with flowers and leaf scrolls in 
gilding and cobalt on a brilliant coral-red ground. Bears a six- 


character Ming mark. 
; Diameter, 61/, inches. 


78—Otp Imarr Bow. 
Richly decorated in Chinese style, the outer surface with dragon 
and phoenix amid cloud forms and symbols painted in enamel colors 
and underglaze blue on a coral-red ground; the inner surface cov- 
ered with a rich decoration of -scepter-heads, flowers and scrolls 
in brilliant enamel colors in underglaze blue and gilding. Sans- 
crit character in gilding. Bears a six-character Ming mark. 


Diameter, 814 inches. 


79—Oxp Imari Bow. | 
Richly decorated in a similar manner to the preceding. 


Diameter, 814 inches. 


80—Oxp Imari Bow. 
Richly decorated in brillant enamel colors, underglaze blue and 
gilding, with floral designs, leaf scrolls, dragons and reserve panels. 


Bears a six-character Ming mark. 
Diameter, 9 inches. 


81—O.p Imari Bow. 
The inner and outer surface covered with an elaborate decoration 
of scepter-head scrolls, flowers and symbols in reserve and painted 
in brilliant enamel colors and gilding. Bears a _ six-character 


Ming mark. 


Diameter, 914 inches. 


82—Larcre Ovirorm VasE 
With tall neck and spreading mouth. Elaborate designs of birds 


and butterflies in cloisonné enamel on a turquoise-blue ground. 


Height, 241%, inches; diameter, 11 inches. 


88—O.up Imari CovereD Bown 
Decoration of flowers and fruits in brilliant enamel colors and un- 


derglaze blue. 


First Afternoon 


84—Oup Imari CovErep Box 
Finely painted decoration of flowers, crests and 


Circular shape. 
fret borders in brilliant enamel colors, blew de Nankin and gilding. 
Diameter, 51, inches. 


85—O.p Imari BLvE ann WuitEe Bown 
With cover. Quadrilateral shape, on square foot. Floral and 
Figure of turtle 


panel decorations in two shades of cobalt-blue. 
surmounting cover. 
Height, 61% inches. 


86—Se1s1 Incense Burner 
Invested with a fine sea-green celadon glaze and 


Globular shape. 
decorated with cherry blossoms outlined in white. Impressed seal. 
; Diameter, 414 inches. 


87—JapaNESE Portrrery Bown 
Coated with a running glaze of purple, red and brown. 
Diameter, 434 inches. 


88—Kaca Covered Bown 
The outer surface covered with polished black lacquer over which 


is a decoration of chrysanthemum flowers in crimson and gilding. 


The inner surface decorated in crimson and gold on a white ground. 
Diameter, 634 inches. 


89—O.p Kutrani Coverep Bown 
Globular shape. Decoration of blossoming tree and maple leaves 
Incised mark. 


in brilliant green, red and white enamels. 
Diameter, 71/4, inches. 


90—-JapaNESE FatENcE VASE 
Globular shape. Coated with a mottled brown glaze which is 
speckled throughout, and decorated with Howo in white enamel. 


Height, 9 inches; diameter, 714 inches. 


Signed. 


91——Orp Ivan Jani 
Decorated with reserve panels 


Oviform, with corrugated surface. 
of flowers, crests and brocade patterns in brilliant enamel colors, 


enhanced by gilding. Seal mark. 
Height, 1034 inches. 


First Afternoon 


92—Oup Imari Beaker-sHaPED VASE 
Richly decorated in enamel colors and underglaze blue of fine 
quality. 
P Height, 1414 inches. 
-93—Oxp Imari TEMPLE Jar 
With its original cover. Decorated with floral motifs and border 
designs in brilliant enamel colors and opaque cobalt-blue. Cover 
surmounted by figure of a Japanese lady. 
Height, 1914 inches. 
94—Oxp Imari Piate 


Floral decoration in reserve panels and rich border design painted 
in brilliant enamel colors and underglaze blue. 
Diameter, 1434 inches. 
95—Imari PorceLain. PLATE 
Decoration of basket of flowers and blossoms and border design 
in brilliant cobalt-blue and rouge de cuivre. 
Diameter, 18°34 inches. 
96—Larcre Otp Imari TEMPLE Jar 
Tall octagonal shape. Tree peonies. Chrysanthemums, bamboo, 
rockeries and other designs painted in brilliant underglaze blue and 
enamel colors. 
Height, 22% inches; diameter, 14 inches. 
97—Oxtp Awagt Pottery TEA-sar 


Coated with a brown lacquer and decorated with a dragon and 
fret pattern incised and carved in the paste. 


98—Oxp Trrraku INcENSE BURNER 


Globular shape. Panel decoration of pine, bamboo and plum in 
blossom, worked in relief and glazed in yellow, green and purple. 


Impressed mark. 
Diameter, 314 inches. 


99—O.tp Satsuma 'TEA-BOWL 
Glazed to resemble tortoise-shell applied over a crackled surface. 


100—Oxp Raxv PotTrery TEA-BowL 
Inner and outer surface coated with a variegated glaze of green, 


gray and salmon pink. Impressed mark. 
Diameter, 434 inches. 


First Afternoon 


101—F ine Oup Raku Bown 


Glazed in salmon red, with markings of gray and olive-green. Im- 
pressed mark. : 


Diameter, 414, inches. 
102—Oup Raku TEa-BowL 


The inner and outer surface coated with a pink glaze which is finely 
crackled. Impressed mark. 


Diameter, 444, inches. 
1083—Oup JAPANESE Potrrery TEA-BOWL 


Coated inside and outside with a thick black glaze and decorated 
with a stork in yellow. Impressed mark of Dohachi. 


Diameter, 4 inches. 
104—Oxp CorEan Pottrery Bown 


Coated with a brown splash glaze and decorated inside with ro- 
settes and scrolls incised in the paste and enameled in white. 


Diameter, 81%, inches. 


105—Oup JapaneEsE Porrery Sake BoTrLe : 
Globular shape, with indented sides. Invested with a rich brown 
glaze. 
Diameter, 5 inches. 
106—Ouxp JAPANESE PoTTrEerRyY Sake BOTTLE 
Enameled with an opaque brown glaze over which are splashes of 
gray. 
Height, 7 inches. 
107—Oxp Japanese Pottery Borris 


Oviform. Coated with a variegated glaze of brown, green and gray 
glaze. 


Height, 8%, inches. 
108—Oup JAPANESE STONEWARE BoTTLE 
Pear-shape. Coated with a brown metallic glaze. 
Height, 91%, inches. 
109—Oup JAPANESE STONEWARE BOTTLE 


Tall oviform. Invested with a mottled brown glaze of opaque 
quality, and with splashes of clair-de-lune around the neck and 


shoulder. 
Height, 101%, inches 


First Afternoon 


110—Oup Taxatori Porrery Jar 


Coated with an opaque brown glaze and a running glaze at shoulder 
of purple, gray and dark brown. 


Height, 8 inches; diameter, 7 inches. 


111—Otup Japanese Pottery Botte 
. Globular shape, with short neck. Coated with a thick glaze of 
mottled brown, with splashes of clair-de-lune. 


Height, 10 inches; diameter, 9 inches. 


~112—Whuirte Porcerain Stanpine Ficure oF a JAPANESE DIGNITARY 
Artistically modeled in white porcelain, and covered with a brilliant 
white glaze with the exception of the head and hands, which are in 
biscuit. Bears seal and inscription. 


Height, 16 inches. 
118—Pair Satsuma SMALL VASEs 


Finely decorated by Meizan with scenes depicting Imperial pro- 
cessions and ceremonial gatherings. Microscopically executed in 
gold and enamel colors. Signed. 

Height, 41% imches. 


114—Oup Satsuma TEApotT 


Oviform, with side spout and handle. Richly decorated with bird 
crests and brocade patterns in gold and red, blue and green enamels. 


115—O.p Satsuma INcENSE BuRNER 


Cylindrical shape, with two scroll handles and openwork cover. 
Decorations of floral designs and scepter-head border, exquisitely 


executed in delicate enamel colors and gilding. 
Height, 5%, inches. 


116—O.up Satsuma TEApror 


Oviform, with side spout and scroll handle. Chrysanthemum 
flowers finely painted in crimson, green and gilding over a crackled 
surface. 


117—Oup Kioto TEs-Bsow1x 


Buff glaze. With a ceremonial gathering of priests painted in 


enamel colors and gilding. 
Diameter, 4°34 inches. 


First Afternoon 


118—Oup Satsuma InNcENSE JAR 


Globular shape. Reserve fan-shape panels of chrysanthemums, 
peonies and other flowers painted over a crackled surface. Me- 
tallic glaze. | 


Diameter, 5 inches. 


119—LarcEe Satsuma TEAPOT 


Quadrilateral, with spout and handle of dragon design. Richly 
decorated with floral and brocade design finely executed in em- 
bossed gold and red, blue and green enamels. Lid surmounted by 
figure of Dog Foo. 


Height, 81%, inches. 
120—Oup SatsumMA PLATE 


Decoration of Japanese legendary subject painted in enamel colors, 
and enriched by gilding. 


Diameter, 15 inches. 
121—Parr Kaca Larcrt PLaAtTEs 


Richly decorated in red, black and gold with daimio figure, interior 
views, brocade and floral designs. 


Each: Diameter, 18 inches. 
122—THREE OLD J APANESE Masks 


Carved wood and enameled. 


123—Oup JapanesE Carvep Woop Box 
In design of a pomegranate, with a bird-of-paradise in bold relief 
on cover. 
Height, 51,4 inches; length, 7 inches. 
124—KakEMONO 


Daimio and servant in snowstorm, painted in colors on silk. 


125—KaKkEMONO 


Tree peonies painted in monochrome on silk. Moths and butter- 
flies on mount. Signed Bunchio. Eighteenth century. 


126—KaKkEMONO 


Cardinal bird on perch, finely painted in colors on silk. Fine old 
brocade mount. Signed Kano Tanniu. Seventeenth century. 


First Afternoon 


127—KaxEMono 
Mandarin ducks in stream, rocky cliff and flowers finely painted in 
colors on silk. Signed Uhi. Eighteenth century. 


128—KakEMoNno 
Pine trees, mountainous landscape and red sun painted on silk. 
Signed Bunrin. Nineteenth century. 


129—KaKkEmMono 


Quail and chrysanthemums in bloom, finely painted in colors on silk. 
Gold brocade mount. Signed Mituoki Tosa. Eighteenth century. 


130—KaxkEmono 
Quail and flowering plants finely painted in colors on silk. Signed 
Tosa Mituoki. Son of the more famous artist, Mituoki Tosa. 
Eighteenth century. 


JAPANESE LACQUERS 


1381—Vermition LaceuER SAKE SAUCER 


Japanese garden scene executed in raised gold and silver lacquers. 


Signed Jiii Kaku. 


132—Brown Laceuer Tray 
Lozenge-shape. Garden scene, pine and plum blossoms, winding 
stream and leashed cat, exquisitely executed in raised gold and 
silver lacquers on a polished surface. 


133—ReEp Socuovu Lacauer Ovat Tray 


Scepter-head scrolls in bold carving. 
Length, 74 inches. 


184—Goxip Lacever PErFumE Box 
Circular shape, with inner tray. Chrysanthemum flowers, ex- 
quisitely penciled on the outer surface, the inner surface finished 
with fine nashiji, and the tray decorated with a figure of Shoki, the 


demon destroyer. 
Diameter, 31 inches. 


First Afternoon 


135—Svurrers Lacever Box 


Persimmon shape, with inner tray of vermilion and pure gold lac- 
quer. The embellishment of stem and worm-eaten leaves skilfully 
reproduced in relief. The inner surface and tray finished in fine 
nashiji, and the latter decorated with a wasp and wasp-nest, faith- 
fully reproduced in gold lacquer. 7 


Diameter, 434 inches. 


1386—Svurers Lacever Box 


Double-shell shape. Daimio carriage, cherry in blossom and bro- 
cade patterns exquisitely executed in gold lacquers, and chrysan- 
themum crest, ferns and brocade patterns penciled in various tones 
of gold on a polished black ground, which is also inlaid with gold 


mosaics. The inner surface finished in very fine nashiji. 


Length, 61%, inches. 


137—AVENTURINE LacauER DespatcH Box 


Crest and cherry blossoms executed in gold and silver lacquers. 
With original cord and tassels. 
Length, 10 inches. 


1388—Goup Nasnyigt Writine Case 


The top of cover embellished with a figure of Hotei with his sack, 
executed in high relief in gold and other lacquers. On inside of 
cover are storks, winding stream, rockery and old pine, exe- 
cuted in relief in various lacquers on a ground covered with gold- 
leaf mosaics. Furnished with ink stone, water bottle and pencils. 


Length, 814 inches; width, 734 inches. 


1389—Picnic Box (Sage ju) 
Of quadrilateral folding form. Fitted with four cake-boxes, three 
of which are lacquered to resemble tortoise-shell and various woods, 


and four triangular-shaped small trays. 


Height, 10 inches; 6 inches square. 


140—Goxip LacevEerR Inro 


Four compartments. Embellished with flowers, birds, carp and 
other designs, exquisitely executed in various lacquers, within fan 
and heart-shaped panel. Ivory button netsuke, with bronze me- 
dallion and carved ivory ojimi. 


First Afternoon 


141—Iwnro 


Five compartments. Aventurine lacquer. Decoration of land- 
scapes and mountains in raised gold and silver lacquers. Carved 
ivory netsuke in design of a peony. Dog Foo ojimi. 


142—Inro 
Five compartments. Black and gold lacquer, pheasants, bamboo, 


pine, and winding stream finely executed in gold and silver lacquers. 
Bone and metal-work netsuke and metal-work ojimi. 


143—Iyro 
Five compartments. Polished black lacquer. Exquisitely embel- 
lished with blossoms, storks and butterflies incrusted with mother- 
of-pearl and coral in gold lacquer panels. Signed by Kaji Kawa. 
Carved ivory button-shaped netsuke and metal-work ojimi. 


144—Goup LaceuvER Ovirorm JAR 


Richly embellished in mother-of-pearl, ivory and coral incrusta- 
tions. Figure of Shoki, the demon destroyer, parrot and plum 
branch, tree peonies and other flowers. The cover of metal-work, 
to represent fabric tied with cords and tassel and embellished 
with floral scrolls on cloisonné enamel. 
Height, 614, inches. 
145—Parr Goutp Lacever Vases 
Mounted in metal-work and beautifully embellished with floral de- 
signs and ornaments in incrusted mother-of-pearl, ivory and coral. 
Height, 81% inches. 


146—Go rp LaceuErr Ostone Tray 
Center panel embellished with garden scene showing Emperor, Em- 
press and attendant with a mountainous background, beautifully 
executed in various lacquers in relief and ivory and mother-of- 
pearl incrustations. The wide border decorated with various 
fan designs executed in gold lacquer on a clouded ground, edged 
with silver. 
Length, 14%, inches; width, 10%, inches. 
147—Bracx LaceuEer PANEL 
Sparrow, wild asters and grasses in carved and tinted ivory. 


Signed by Kagawa. 
Height, 1734 inches; width, 12 inches. 


First Afternoon 


148—W Hire LacauER PANEL 


Embellished with tree ee and grasses in cared and tinted 
ivory. Frame of polished “cherry bark’ lacquer and decorated 
with cherry blossoms, delicately penciled. Signed Kagawa. 

Height, 231, inches; width, 17 inches. 


149— JAPANESE SHORT SworD 


Grooved blade. Mountings of red copper and other metals. Small 
knife handle of iron ornamented with a boating scene in other 
metals. Signed Hamano-Shunko. Scabbard lacquered to resemble 
wood grains. 


150—Carvep Woop Group 
The Nikko Monkeys: “See no evil; Hear no evil, and, Speak no 


evil.” 
Height, 41, inches. 


151—Oxp Bamsoo CyurmnpricaL VASE 
Carved in relief and openwork, with figures, pine and bamboo. 
Height, 7 inches. 


152—Mopreu or JAPANESE HovusE 
Skilfully made in various woods and basketwork. 
Height, 11 inches; length, 914 inches; width, 7 inches. 


1583—Oup Damio Tosacco PoucHu 


With pipe-holder and silver pouch. Elaborate metal-work mount- 
ings; ornament of sea dragon and large carved ivory netsuke. 


154—Larce Ostricu-Ece Box 
The outer surface embellished with scattered maple leaves executed 
in gold and other lacquers. ‘The inner surface elaborately em- 
bellished in raised gold lacquers, with mountainous landscape, cas- 


cade and other designs. 
Length, 61% inches; width, 51%, inches. 


155—JaPpaANESE CarveEpD Ivory STATUETTE 


Standing figure of Kuan-yin in a robe of graceful folds. Signed 
Mindo. 
Height, 91 inches. 


First Afternoon 


156—Japanerst Ivory Carvine 
Shoki, the demon destroyer, punishing an imp. 
Height, 5%, inches. 
157—Inrportant Oxtp Japanese Ivory Carvine 


Equestrian and other figures of warriors illustrating a Japanese 
historical event. Signed Shinke. 


Height, 61, inches; diameter, 4 inches. 


158—JaAPANESE CarveED Ivory SHRINE 


Elaborately and skilfully carved in relief with Buddhistic and 

mythological subjects and mounted in metal-work. Containing 

artistically carved figure of Kuan-yin and her child attendant. 
Height, 9 inches. 


159—JapanEsE Carvep Ivory Box 
In the form of a section of bamboo. Elaborately and skilfully 
carved in relief and openwork, with numerous quail among growing 
millet. ‘The cover mounted by an ornament to conform. 


Height, 9 inches; diameter, 414 inches. 


JADE CARVINGS AND ROCK-CRYSTAL BALLS . 


160—Smartt ALABASTER CARVING 


Monkey feasting. 


161—Inpian Jape Perrume Box 
In four compartments. The leaf designs carved in relief. Thin 
gray texture. 


162—Japre Miniature TEapor 
Melon design, with stem forming handle and a leaf forming the 
spout. Moss-green texture. 


163—FErI-ts’ur SMALL PLATE 
Carved in design of an aster. Thin texture. 
Diameter, 4 inches. 
164—ImperiaL Fer-ts’u1 PENDANT 
Design of a gourd and vine carved in relief and undercut and 


highly polished. 


First Afternoon 


165—CuIneEsE TaBLE SCREEN 
Panel of white jade, carved in openwork with Show character and 
bat symbols surrounded by a framing of filigree silver and mounted 


on a carved teakwood stand. 
Height, 8%, inches; width, 5%, inches. 


166—Moss-creEn Inpian Jape Bown 
Almost eggshell thinness. The outer surface carved in relief with — 
an elaborate leaf and scroll design. The inner surface highly 


polished. 


Height, 21% inches; diameter, 614 inches. 


167—Gray-wHiTEe Inpian JavE Bow. | 
With two prominent handles of openwork floral design. The outer 
surface completely covered with a carved and polished ornamenta- — 
tion of conventional floral and scroll patterns. The imner sur- 


face highly polished. 


Height, 3 inches; diameter, 7 inches. 


168—CuovupEp WuitTr JapE Bown 
Dense sonorous texture; polished inner and outer surface. Has 
finely carved openwork cover, surmounted by a carved carnelian 


ornament of dragon design. 
Height, 314, inches; diameter, 6% inches. 


169—Gray-wHITE JADE TaBLE SCREEN 
Circular slab of grayish-white jade. On the obverse, carved in 
high relief, is a scene depicting a river view and mountainous 
landscape, a summer-house with figures, willow and pine trees. 
On the reverse, a plum tree in blossom and rockeries. Mounted on 
a stand of fine moss-green jade carved with leaf scrolls and Shou 
symbols. 


Extreme height with stand, 1034 inches; diameter of dish, 714, inches. 


170—GREEN JADE BRUSH-HOLDER 
Wide cylindrical shape. Artistically carved in bold relief from a 
block of green nephrite of mottled translucent texture. The pano- 
ramic landscape shows pine and palm trees, a bridge, human fig- 


ures and rocky cliffs. 
Height, 51%, inches; diameter, 514, inches. 


First Afternoon 


171—Larce JAPANESE Rocxk-crystaL Baty 


Of unusual large size and exceeding purity. Mounted on a tall 
stand of carved teakwood and cloisonné enamel. 


Diameter of ball, 43, inches. 


172—JapanesE Rock-crystaL Bau 
Mounted on a bronze stand in design of two demons modeled in red 


bronze and shibuichi. 
Diameter of ball, 314 inches. 


1738—JAPANESE Rock-crystaL Baty 


Mounted on a carved ivory stand. 
Height, 21%, inches. 


174—Larce Hatr-crystaLt Batu 
| 


Highly polished surface. Mounted on a sterling silver stand, rep- 


resenting a figure of Atlas. 
Diameter of ball, 4 1-16 inches. 


JAPANESE AND CHINESE METAL-WORK 


175—JAPANESE SILVER PERFUME BuRNER 
Wrought in openwork scroll designs and ornamented with enamel, 
flowers and leaf-shape handles. 


176—JAPANESE SILVER PERFUME BURNER 


Repoussé and enarneled floral ornamentation. | Openwork cover, 
with ornaments in (lesign of turtle of longevity. Signed. 


177—JapaNESE SILVER PERFUME BuRNER 
Quadrilateral shape, with indented corners and two openwork 
handles. Ornamented in relief with peony flowers and various de- 
signs executed in wire cloisonné. 


178—JaApaNESE SILVER INcENSE BuRNER 
Globular shape on tripod, with openwork cover with lotus orna- 
ment. Repoussé chased ornamentation of peony and chrysanthe- 


mum flowers. 
Diameter, 314 inches. 


First Afternoon 


179—JapaNEsE SILVER INCENSE BURNER 
Quadrilateral shape, on four feet and with two scroll handles. Re- 
poussé chased and relief ornamentation of tree peonies, phoenix and 
other designs and cloisonné enamel scrolls. ‘The cover surmounted 
by a large butterfly. 
Height, 6%, inches; width, 54%, inches. 
180—JapanEsE SILvER Tripop Koro 
Globular shape. Relief ornamentation in metals and cloisonné 
enamels of flowers; Howo birds, butterflies and chrysanthemums, 
and kiri crest. Cover surmounted by a pomegranate ornament. 


Height, 5 inches; diameter, 4 inches. 


181—Pair JAPANESE SILVER VASES : 
Graceful pear-shape, with pierced body of scroll design and two 
butterfly handles. Beautifully embellished with dragon, Howo bird 
and floral designs in cloisonné enamel. 
Height, 6%4, inches. 
182—JapaneEsE Sitver Incense BurNnER 
Quadrilateral shape, with two scroll handles on shoulder and on 
scepter-head feet. Body pierced and ornamented with peony and 
chrysanthemum flowers in repoussé and partially gilt and enameled. 


The cover surmounted by a chrysanthemum flower. 
Height, 6 inches; width, 4°34 inches. 


1883—JaPpANESE HamMMERED SILverR TEAPOT 


With swinging bale. Spout in form of the head of the turtle of 
longevity. Etched and gilded ornamentation of dragons and cloud 
forms. Signed. ' 


184—JapANESE SILVER SMALL T'KAPOT 


Tc match the preceding. Signed. 


185—Six JAPANESE SILVER CUP-HOLDERS 
Cloisonné enamel ornamentation; fitted with porcelain after-dinner 
coffee-cups. 


186—JapPANESE SILVER 'TEA-SERVICE 
Consisting of teapot with swinging bale, sugar bowl and cream 
pitcher. Ornamentation of chrysanthemum flowers and cloisonné 
enamel. Signed. 3 


First Afternoon 


187—Six JapaNEsE SILVER CUP-HOLDERS 
Of openwork scroll design with ornamentation of peony and chrys- 
anthemum flowers in repoussé and enamels. Fitted with decorated 
Kaga cup. 
~188—GuLoBvuLAR-SHAPED JAR : 
Covered with opaque red enamel, under which is a decoration of 
a bold dragon and cloud forms in black. . 


Diameter, 5 inches. 
189—Smatut Ovirorm Vase 


Gilded surface. The ornamentation illustrating the process of 
cloisonné enamel. 


190—Gitt anp ENamet Perrume Box 

Circular shape. Medallions of dragons, storks and fabulous ani- 
mals in low tones of enamel, on a clouded turquoise-blue ground. 
Interior finished in gilding. 


Diameter, 3 inches. 


191—Oxp CuINEsE CLoIsonNE ENAMEL CaxkE-BOXx 
Flattened circular shape. Lotus and leaf scrolls, scepter-head 
borders and panel of chrysanthemums, rockery, and swastika fret 
patterns in red; lapis, white and green enamels on turquoise-blue 


ground. Ch’ier lung. 


Diameter, 81%, inches. 


192—O.p CHINESE Cro1sonné ENAMEL VASE 
Graceful bottle-shape. The body decorated with flowers and leaf 


scrolls in brilliant colors of enamel on a white ground. The neck 
covered with a turquoise-blue enamel and embellished with lotus 
flowers of leaf scrolls in brilliant colors. Ch’ien-lung. 

Height, 18 inches. 


193—JapanesE Wrirer’s Ink anp PENCIL-HOLDER 
Of bronze, with ornamentation of archaic design. Netsuke in de- 
sign of an inro. 


194— Japanese Bronze Sworp Guarp 
Skilfully wrought in design of a serpent. Signed Fusatoma. 


First Afternoon 


195—JapanEsE CANDLESTICK 
Skilfully formed of an old iron sword guard, and numerous sword 
mounts and ornaments in gold, shakudo, shibuichi and other Jap- 
anese metals. 
Height, 121% inches. 
196—Oxp Japanese BronzE SHRINE VASE 
Relief ornamentation on a golden brown patina. 
Height, 8 inches. 
197—JapanEsE Bronze INcEnNsE BurNER 
Quadrilateral shape, on tall slender legs. Ornamentation of wis- 
taria in bloom, plum in blossom and moonlight landscape, worked 
in relief and in gold inlays. Cover surmounted by a figure of Hotei. 


Fine brown patina. 
Height, 714 inches. 


% 


198—JAPANESE BronzE WaTER KETTLE 


With side handle and spout. Fish wave designs and cloud forms, 
inlaid with gold, silver and shakudo. Silver-lined. 


Height, 11, inches. 
199—JapPANEsSE Bronze PLATE 


Ornamentation of morning-glory vine in bloom, and butterfly, in- 
laid with various metals and chased. Bamboo design edge. Fine 
brown patina. Signed. 


Diameter, 91%, inches. 
200—Oxup THIBETAN SACRIFICIAL VESSEL 


Helmet shape. On tripod of dragon-heads of gilded metal, with 
Show character and other designs etched. 


201— JAPANESE Bronze IncENsSE LANTERN 


Globular shape. Pierced ornamentation of floral and leaf scrolls. 


202—JaPpANESE BronzE INCENSE BuRNER 


Globular shape. Carved ornamentation of peonies, chrysanthe- 
mum and leaf scrolls. Shakudo patine. Has openwork silver cover. 


Height, 4 inches. 
203—JAPANESE BronzE OximMono 


Monkey in costume, resting on a tree branch. 
Diameter, 5 inches. 


First Afternoon 


204—Oup JAPANESE Bronze INCENSE BuRNER 


Circular shape, on tripod and detachable base. Relief casting of 


crayfish and carp and other design. 
Height, 6 inches. 


x 


205—Oxip JapanesE Warer Kerrie 


With top handle and lacquered lid. Pine and grasses in relief 
casting. 


206—OLxp CHINESE Bronze INcENSE BuRNER 


Quadrilateral shape on four feet. Sanscrit character in low relief. 


207—Oup JAPANESE Bronze VASE 


Bottle-shape, with bulbous mouth and lion-mask handles and in- 


cised diaper pattern. Fine brown patina. 
Height, 8 inches. 


208—AnTIQUE CHINESE Bronze VaAsE 
Bottle-shape, with tall slender tubular neck, two lion-mask handles, 
and incised bands of wave and fret patterns round shoulder and 
base. Fine mottled green and red patina. Six-character mark of 
Hsiian-te. 
Height, 11 inches. 
209—O.p JapanresE Bronze VASE 
Oviform, with broad flaring mouth. Coated with a fine mottled 
verdigris-green patina. 
Height, 71% inches. 
210—Oxtp JapaNEsE Bronze BEAKER-SHAPED VASE 
With two handles, in design of a bunch of grapes and vine. Brown 
patina. 
Height, 7 inches. 
211—AnTIQuUE JAPANESE Bronze VASE 
Tall, slender bottle-shape. Dragon in bold relief encircling neck; 
incised band of wave design round body. Fine brown patina. 
Height, 121%, inches. 


212—AnTIQUE JAPANESE BronzE VASE 
Flattened oviform, with broad mouth and spreading base. Has 
two dragon head handles and bands of archaic dragon scrolls. 


Mottled brown patina. 
Height, 8%, inches. 


First Afternoon 


213—Oxup JAPANESE Bronze VasE 
Globular body with tall, slender tubular neck. Mottled red and 


brown patina. 
Height, 101%, inches. 


214—ANTIQUE JAPANESE BronzE VASE 


Tall, slender bottle-shape. Dragon in relief casting, coated with 


a very fine mottled green and brown patina. 
Height, 1134 inches. 


215—ANTIQUE CHINESE BronzE STATUETTE , 
Standing figure of a Chinese boy wearing an embroidered jacket 


and with toy bird-carriage. 
Height, 91% inches. 


216—Oup JAPANESE BronzE SHRINE CANDLESTICK 


In design of a stork standing on a turtle of longevity. The pricket 


candle-holder of lotus design. 
Height, 14% inches. 


217—ANTIQUE JAPANESE Bronze VASE 
Globular-shaped body, with boldly flaring mouth. Ornamented 
with dragon modeled in high relief and coated with a fine patina 


of mottled green and brown. 
Height, 934 iches. 


218—OLp JapanEsE Bronze Hipacut 
Globular shape, with top swinging handle. Elaborate ornamenta- 
tion of tree peonies and chrysanthemums in relief casting. 


Height, 61, inches; diameter, 71, inches. 


219—O.up JapaNnEsE Bronze VAsE 
Bamboo design. Mottled green and brown patina. 
Height, 131%, inches. 


220—Oxp JAPANESE Bronze VASE 
Graceful oviform, with receding base and neck. Ornamented with 
a dragon cast in high relief. Coated with a very fine patina of 
mottled brown and green by Mitsuhire. Eighteenth century. 


Height, 13 inches; diameter, 8 inches. 


First Afternoon - 


221—JapaNnEsE Bronze Vase 
Graceful oviform. |Ornamented with an artistically produced 
moonlight landscape and pine trees in shadow. Rich brown patina. 
An exhibition specimen and signed Jiyomi. 


Height, 1234 inches; diameter, 814 inches. 


222—Larcr Bronze Vase 
Old Japanese. Circular-shaped body, with bold flaring neck and 
mouth. Ornamented with a band of Greek fret and archaic scrolls. 
Mottled brown patina. 


Height, 131, inches; diameter, 151% inches. 


223—Larcre ANTIQUE San-Toxu Bronze Vase 
Beaker-shape, with two mask-head handles on neck. Brown patina, 
the entire outer surface thickly covered with irregular-shaped in- 
sertions of gold. Underneath the foot is a large and finely en- 
graved seal mark of the Hsiian-te period. 
Height, 241, inches. 
224—EazoraTeE OLp JAPANESE Bronze VaAsE 
_In design of a trunk of a cherry tree, with a figure of a falconer 
seated at its base. Arranged for an electric lamp. 
Height, 14 inches; width, 12 inches. 


225—ELaporaTE JAPANESE Bronze Stanpine Lamp 
Ornamented in relief with dragons, birds and floral designs, and 
coated with a rich brown patina. Arranged for electricity. 
Height, 53 inches. 


SECOND AFTERNOON’S SALE 


FRIDAY, FEBRUARY 26, 1915 


AT THE AMERICAN ART GALLERIES 


BEGINNING AT 2.30 oO’CLOCK 


Which includes Catalogue Nos. 226 to 452 


MISCELLANEOUS PORCELAINS AND POTTERY 


226—TweLveE PorcELAIN SPOONS 


Dresden style. Floral decoration. 


227—Dovutton TEApPotT 


Engraved and painted ornamentation on a snake-skin ground. 


Copy of a Japanese sake pot. 
Height, 7 inches. 


228—DrespEN Fruit Basket 


Blue and white, pierced loop sides. 
Height, 4°4 inches. 


229—Cy.inpRicaL VaAsE 
Pottery. Floral decoration in colors on a cream-white ground. 
Height, 81% inches. 


230—AnTIQUE Wepcwoop URN 


Cream-white paste, with relief ornamentation of leaves, ribbon bow- 


knots and garlands of floral bells. 
Height, 934 inches. 


231—BotrLE-sHAPED Pottery VASE 
Pear-shaped, with four lobes. Gray and green glaze. 
Height, 1134 inches. 


Second Afternoon 


232—Pair oF CoveRED VASES 
Tapering ovoid bodies on a tall foot. Chocolate glaze, with applied 
ornamentation of Amorini and morning-glories in the Solon style. 
. Height, 18 inches. 


233—FrREeNcH PorcEeLain VASE wiTH CovER 
Louis XV style. Clear white glaze with applied and relief ornamen- 
tation of flowers and scrolls. ‘The cover surmounted by an angel 


with a garland of flowers. 
Height, 14 inches. 


234—PorcELAIN Urn 
English. Brown glaze, with two scroll handles, portrait plaques 
and leaf garlands in white. Square base. Lacks cover. (Re- 


paired.) 
Height, 111% inches. 


235—FrencH Fartence Futzt-mMoon Vase 


Haviland’s. Blue and gray glaze, with a painted portrait of a 


cavalier. Signed M. B. 
Height, 12 inches. 


236—Frencu Farencre Jar 
Haviland’s. With lon-mask handles and painted decoration of an 
angel’s head and flowers on a gray and blue ground. 
Height, 13 inches. 


237—Frencu Farencre Jar 


With two loop handles. Iridescent splash glaze of red, blue, green 


and gold; and traces of leaf decoration. 
Height, 14 inches. 


238—Two EncusH Parntep PLAQUES 


Minton’s. One decorated with a swallow, moon and reeds; the other 


with flowers. 
Diameter, 151, inches. 


239—Two EncusH PaIntEp PLAQvuEs 


Minton’s. One decorated with birds and flowers, the other with 


chrysanthemums. 
Diameter, 15 inches. 


Second Afternoon 


240—Masourica PLAQUE 


Blue glaze. With relief ornamentation of portrait plaques, griffins, 
and a central medallion of Noah, his family and the animals en- 
tering the ark. 


Diameter, 181/, inches. 
241—FramMep PLaQuE 
Figure decoration in the Solon style. 
Diameter, 81% inches. 
242—FrencH Faience Paintep PLaauE 


With ruined arches and wooded landscape in blue and gold irides- 
cent colorings. Signed on the back: “Clement Massier. Golfe 
Juan. A.M.” 


Diameter, 20 inches. 


243—Frencu Painted PLAQuE 


Rich iridescent glaze; in green and gold. Signed “Clement Massier. 
Golfe Juan. A.M.” 


Diameter, 24 inches. 


244—Frenco Enamet Vase with Two Hanp.Les 


With panel decoration of figures and leaf sprays on a blue ground, 
the panels divided by horizontal lines of imitation opals. The foot 


and base of green enamel. (Imperfect.) 
Height, 13 inches. 


VENETIAN GLASS 


“The following pieces of Venetian glass have been faithfully reproduced from 
well-known examples of this ancient art exhibited in the museums of Venice and 
London. Many of them rank in quality and design with the famous pieces from which 
they are copied.” 


245—Low BEAKER AND A GOBLET witH HANDLE 


The former with white enamel decoration in the Greek style, the 
latter enameled and gilded. 


246—Two VENETIAN Guass VASES 


One smoked glass, double-bottle shaped on tall foot; the other a 
high-shouldered bottle of blue glass with iridescent fleckings. 


Respective heghts, 444, and 71/, inches. 


Second Afternoon 


247—VENETIAN Guass VasE AND A BoTrLe 
The former with basket rim and lower portion of blue and white 
spiral lines. The latter white spirals and aventurine. 
Respective heights, 3 and 61, inches. 


248—Patr or VENETIAN GuaAss GOBLETS 
Smoked, with white ribbings. 

Height, 5 inches. 

249—Two VENETIAN GLAss JUGS 


Pale amber. : 
Height, 8 inches. 


250—Two VENETIAN GuaAss GOBLETS 


Ribbed, with light blue enamel fleckings. 
Height, 5 inches. 


251—Two VENETIAN Guass VASES 
One cylindrical, with enameled decoration; the other with indented 


sides and fluted neck. 
Respective heights, 734 and 81, inches. 


252—Two Venetian Guass VAsEs 
One fan-shaped, with opal coloring; the other with lip and handle, 


red gold stone effect and white ribbings. 
Respective heights, 6%, and 71% inches. 


253—VENETIAN Guass Cup anp VASE 
The former pale amber, with handles, mask ornaments and four 
feet; the latter a dolphin, in gold stone effect and light blue. 


(Damaged. ) 
| Respective heights, 64%, and 4 inches. 


254—VeENETIAN Pate AmMBER Guass BOTTLE AND JAR 
The former with cover, marked ribs and handles; the latter with 


cover and cone-shaped terminal. 
Height, 7 inches. 


255—Two VENETIAN Guass VaASEs 
One goblet-shaped, with blue handles and ribbed stem; the other 
with shaped bowl on a tall standard of amber. 
Respective heights, 8 and 9 inches. 


Second Afternoon 


256—Two VENETIAN Guass VASES 


One pale amber, with two handles, bosses, masks and two blue 
bands; the other with slender, ribbed double neck. 


Respective heights, 101%, and 1114 inches. 


257—Two VENETIAN Grass VasEs 
Pale amber, with wide trumpet shaped bowls, the stems twisted, 


ribbed and corrugated, and with two handles each. 
Height, 714, inches. 


258—Two Venetian Grass GoBLets 
One pale amber, with ribbed and scalloped bowl; the other clear, 
with flower shaped bowl. The stems with filigree handles, and 
ribbings. : 
Height, 81% inches. 
259—Two VeNneETIAN Guass VasEs 
~ One smoked, with flaring rim, ribbed body, two blue glass handles 
and bulbous stem; the other goblet-shape, with blue glass handles 


and lemon-colored stem. 
Respective heights, 734 and 914 inches. 


260—Two VENETIAN GuaAss GOBLETS 


Pale amber, with ribbed and scalloped rims. One with four-scroll 
stem of spiral ribbed and red glass. 
Respective heights, 924 and 10 inches. 


261—Two Venetian Guiass Ewers 
Pale amber. One with purple bands and gold stone masks. 
Respective heights, 10 and 11 inches. 


262—Two VeneTIAN Giass VASEs 
Pale amber. One morning-glory-shaped, with cover and two blue 
handles; the other with triple, spiral neck, shaped top and fluted 


base. 
Respectve heights, 1014 and 12 inches. 


2683—Two Venetian Guass VASES 
Pale amber. One with scroll ribbed handles, with bosses about the 
lower part of the body; the other with gold stone handles and masks 


and upright ribbings of opaque white. 
Height, 8%, inches. 


Second Afternoon 


264—VENETIAN Guass Ewer anp Two-HANDLED VASE 


The former with bird mouth, gold stone handle and ornaments ; 
the latter pale green, with two handles and inverted pear-shaped | 
body. 
Respective heights, 1014 and 11 inches. — 

~265—VENETIAN GLass GOBLET 
Pale amber. Chalice-shaped bowl. The stem has two pink handles. 
a Height, 1034 inches. 


266—Four VENETIAN Guass CANDLESTICKS 


Pale amber. With wide spreading top and base. The stems of 
double twisted rods of a darker shade and mounted in gilt brass. 


Height, 914 inches. 
267—Two VENETIAN Guass VASES 


Pale amber. One with wide spreading bowl, the other ornamented 
with bosses. Both with three handles about the stem. 


Respective heights, 11144 and 121, inches. 


268—Two VENETIAN Guass VASES 


Pale amber. With flower-shaped bowls, two handles, ribbed and 


bulbous stems. 
Respective heights, 11 and 11% inches. 


269—VENETIAN CoMPOTIER 


Clear glass, with white spiral ribbings. The ornamental standard 
of gold stone effect, pink and pale amber. 


Height, 7 inches; diameter, 71% inches. 


270—VENETIAN Guass TaLtt GOBLET 


Pale amethyst, the elaborate standard with loops, ribbed bulbs and 
blue glass masks. | 


Height, 131% inches. 
271—VENETIAN Guass DECANTER 
Gold stone effect, with blue enamel fleckings. 
Height, 111% inches. 
272—Parr oF VENETIAN GuAss DECANTERS 


Pale olive, with gold stone ribbings and one handle each. Pyramidal 


bodies. 
Height, 8%4 inches. 


Second Afternoon 


273—VENETIAN Guass BorrLe 
Very light amber, with horizontal ribs of opaque white glass. 
Height, 141, inches. 


—274—VENETIAN SMOKED Guass VasE 
Hourglass-shaped, with horizontal spiral ribbings. 
Height, 12 inches. 
275—VENETIAN CLEAR Guass VASE 


Lily-shaped bowl, supported by leaves which rise from a spiral 
stem. 


Height, 11 inches. 
276—VeENETIAN Grass VAsE 
Graceful morning-glory shape. Opal glass, with horizontal rib- 
bings of opaque white. | 
| Height, 1534 inches. 
277—VENETIAN SMOKED GLass: ORNAMENT 


The compressed oblong bowl has a spout, handle, bosses and loop 


ornaments. On tall foot. 
Height, 141% inches. 


278—VENETIAN Guass CANDELABRA 
For six lights. Clear glass, with floral, chain and leaf ornaments 
in clear, opaque white, pink and red glass. Ornamental central 


standard and stem. 
Height, 3114 inches. 


279—Two Fiower VAsEs 


One green Favrile glass, with purple iridescence; the other with 
spiral ribbed body, the foot and rim of gilt. 
Respective heights, 71, and 10%, inches. . 


280—WInE Guass 


Dutch. Engraved ornamentation of floral branches, a crown and 


clasped hands, and “D. Vriend Schnap.” 
Height, 7% inches. 
281—Rusy Guass Ewrr 


French. With gilt metal mounts and cover. 
Height, 101% inches. 


Second Afternoon 


MISCELLANEOUS OBJECTS 


282—CrystTaL VINAIGRETTE AND STAND 


Hexagonal. The openwork cover has a pearl terminal and the jar 
is encircled by a beautifully modeled and chiseled serpent of Jap- 


anese workmanship in silver gilt. 
Height, 3 inches. 


283—AcatE CouPE AND AN AMETHYST SAUCER 


The former with tripod bust support of gilt bronze; the latter with 
rich purple markings. 


284—Paintep FrencH Fan 


Louis XIV style. With seated and dancing figures on a rocky 
islet. Pierced mother-of-pearl sticks, with birds, medallions and 
floral decoration, silvered and gilded. 


285—Two Tanacra FIGuRINES 
Seated. 


286—Turee Tanacra FIGurinEs 


In the costume of the period. 


287—PuastTER Group 


Tiger and crocodile, after Barye. 
Length, 917 inches. 


288—Two Composite MarsLE SPHERES 
With gilt bronze stands. ; 
Diameter, 534 inches. 
289—T wo Sranps 
Triple X. With socket for a ball. 


290—Bas-RELIEF Woop Carvine 
Boys singing, after the antique. Carved wood frame. 
Height, 13 inches; width, 15 inches. 


291—Eicut Framep MINIATURES 


Painted on ivory. Taj Mahal and other subjects. Four in each 
frame. 


Second Afternoon 


292—Frencu ENAMEL PLaQuE 
Classic subject. Signed D. L. Framed. 
Length, 1114 inches; width, 9 inches. 


293—CarvED Ivory CANDLE SCREEN 


An angel with a child in her arms flying over a city. Relief leaf 


design border and carved standard. 
Height, 14 inches. 


294—PaInTED PLaQuE AND A FLORENTINE Mosaic 


The former a child reading, and the latter a white hen. Both 
framed. 


295—SturrepD TorToIsE 


- The shell polished. 


296—Piece or Perririep Woop 


Various colorings. 


297—Mopveu or A Doorway oF THE ALHAMBRA 
The upper portion enameled a pale yellow, pierced and carved. 
Six alabaster pillar supports. Ebonized frame. 
Height, 24 inches; width, 17144 inches. 


298—MopEt or a Doorway or THE ALHAMBRA 
Similar to the preceding, but more elaborate. 
Height, 233, inches; width, 19 inches. 


299—Two Carvep Trakwoop STANDS 


The top with scalloped edge and a marble insert. With under- 
braces and claw and ball feet. 


800—Ostricu Ecce 


Persian, of the eighteenth century. Elaborately carved in low re- 
lief in a design of panels occupied by portraits of men and women 
and by inscriptions in Arabic “Naschki” characters. The remain- 
ing surface of egg is carved with Saracenic interlacement bands, 
bands of guilloche pattern and figures of animals. 

Length, 51/, inches. 


Second Afternoon 


301—East Inpian Pottery Bowt anv Cover 


Seventeenth century. Coupe-shaped, with domed cover, ending 
in a flat disk-shaped finial. Decorated in colored enamels, with 
shaped panels of red reserve containing Buddhistic figures of Dei-. 
ties, the background between the figures being decorated with a 
diaper pattern of flame forms. There are alternating bands of 
ornamentation in red relief on a green ground and of white on a red 


ground. 
Height, 834, inches. 


302—Box or SANDALWOOD AND Ivory 


Hindustanee, of the nineteenth century. Octagonal-shaped. Elab- 
orately carved, with borders of diapered pattern inlaid with ivory 


and metal. 
Length, 91% inches; width, 61 inches. 


3803—Box or SANDALWOOD AND Ivory 


Hindustanee, of the nineteenth century. Octagonal-shaped. Elab- 
orately carved and inlaid with diapered patterns in ivory and metal. 
Length, 9 inches; width, 61%, inches. 


304—Carvep Woop PAaneEL 


Arabic, of the eighteenth century. Carved in low relief with a pat- 
tern of Saracenic interlacements and painted in gold and colors 
on a cream-colored ground; surrounded by a border of shaped 
panels filled with floral ornamentations on a red ground diapered 


with gold. 
301%, inches by 141% inches. 


305—PortucuEsE Masouica VASE 


Eighteenth century. Bottle-shaped, with cylindrical neck. Dec- 
orated on a brown ground with a conventional floral and leaf pat- 


tern of yellow enamel heightened with green. | 
Height, 121%, inches. 


306—Damascus Masouica TILE 
Decorated on a white ground and in colored enamels with a design 
of serrated leaf and flower forms. 
Length, 12%, inches; width, 914 inches. 


Second Afternoon 


3807—Damascus Masouica TILE 


Decorated on a white ground in red, green and blue enamels with 
a design of serrated leaves, rosetted flowers and flowers buds. 
Framed. 


9 inches square. 


808—Perrsian VasE or LacauERED Woop 


Eighteenth century. Pear-shaped body, with wide spreading neck. 
Decorated, on a light yellow ground, with a diapered pattern of 
flowers and leaves painted in gold, red and blue, and with panels 
of a diapered design in blue on gold grounds and in gold on light 
yellow grounds. | 

Height, 9 inches. 


309—PERSIAN VASE oF LacevERED Woop 


Eighteenth century. Pear-shaped, with cylindrical neck and cir- 
cular base, decorated with an elaborate Saracenic diapered pattern 
of flowers and leaves in gold reserve on a dark blue ground, and 
with panels of geometrical interlacements, also of a Saracenic char- 
acter. 
Height, 9 inches. 
310—Persian Box witH Cover 


Eighteenth century. Of wood lacquered in colors. Decorated 
with figure subjects and floral decorations. A rectangular panel 
on the lid contains a subject of a Persian marriage scene, while 
rectangular panels on the sides contain scenes of Persian domestic 
life. The remaining decorations consist of shaped panels occupied 
with groups of flowers on a gold ground and of bands of rosetted 
and meander pattern decorations in gold on a dark blue ground. 


Height, 51, inches; length, 10 inches; width 71 inches. 


811—Perrstan ScRIVENER’s WoopEN PEN CASE 


Seventeenth century. Decorated with panels containing portraits 
in seventeenth century European costume alternating with figures 

of lions hunting deer and of other animals. 
Length, 8% inches. 

312—PeERSIAN ScRIVENER’s WoopEN PEN CasE 


Seventeenth century. Lacquered in colors with a design of lion 
hunts, that occupying the upper surface being led by a bearded 


Shah. 
Length, 9 inches. 


Second Afternoon 


313—ANTIQUE PERsIAN TILE on Murat TaBLet 

Seventeenth century. Decorated in colors with a design of an 
arched panel, below which is a design of a vase of roses and other 
flowers. The spandrils above and at the sides of the arch are filled ~ 
with a pattern of Saracenic leaf interlacements in white reserve on 
a dark blue ground. Above is a band containing an Arabic inscrip- 
tion in brown on a ground of a lighter color, and above this again 
an arched panel containing an Arabic inscription in pale blue on a 
brown ground flanked on either side by bands of white reserve oc- 
cupied by vases of flowers. The whole is surrounded by a border of 
raised floral zigzag in white reserve on a ground of blue. 

Height, 15%, inches; width, 1214 inches. 


314—Perrsian Potrery VAsE 
Eighteenth century. Semi-porcellanous. | Pear-shaped, with 
straight neck and two looped handles. Decorated in turquoise 
and dark blue and with a pattern of hawthorn flowers in white re- 


hef. Borders of acanthus and pointed leaf design. 
Height, 7 inches. 


315—SEMI-PORCELLANOUS PERSIAN VASE 
Early eighteenth century. Pear-shaped lobed body, with cylindri- 
cal neck, spreading rim and circular base. Decorated on a white 
ground with an underglaze pattern of Saracenic character consist- 
ing of interlacements, scrolls, leaves and flowers in dark blue and 


green. 
Height, 7 inches. 


316—Persian Pottery VaAsE 
Seventeenth century. Pear-shaped, lacking neck and handle, dec- 
orated in brown and green, on a white ground with an all-over 


pattern of flowers and leaves. 
Height, 8 inches. 


317—Persian Porrery VasrE , 
Eighteenth century. Amphora-shaped, with two flat looped handles 
and bulbous neck. Decorated, on a buff ground, with slip of a 
lighter yellow in a scrolled pattern with leafage and rosetted 
flowers painted in a dark brown. The borders, of a quatrefoil and 
roundel design, are treated in a similar manner. 
Height, 12 inches. 


Second Afternoon 


318—East Inpian Potrrery VaAsE 


Seventeenth century. Flat pear-shaped body, decorated with a 
diapered pattern of flowers and leaves in red, and green on a blue 


ground. 
. Height, 1214 inches. 


319—FEast Inp1an Potrery VAsE 


Seventeenth century. Hexagonal spear-shaped body, with cylindri- 
cal spreading neck and circular base, decorated with vertical panels 
of flower and leaf design on alternating ground of red and green. 

Height, 12 inches. 


-820—East Inpvian Porrery Vase 


Seventeenth century. Pear-shaped, with high cylindrical neck, 
decorated on a ground of dark blue enamel with an elaborate pat- 
tern in gold and colored lacquers. Around the body are six oval 
panels filled with subjects of hunters mounted on horseback, and 
of wild animals. The spaces between these panels are decorated 
with a floral design, while above and below are panels of conven- 
tional acanthus leaf ornamentation. ‘The neck is decorated with 
spiral bands of conventional flower and leaf designs in gold lac- 


quer on ground of dark blue. 
Height, 121% inches. 


321—PERsIAN SEMI-PORCELLANOUS VASE 


Eighteenth century. Pear-shaped body, with wide spreading neck. 
The body is decorated with a design of interlacements, carnation 
blossoms and leaves in white relief outlined in black on a turquoise- 
blue ground; the neck with a pattern of acanthus leaves in white 
relief and veined in dark blue, on a turquoise-blue ground, and there 
are panels of pointed-leaf design in white relief on a dark blue 


ground. 
Height, 14 inches. 


Second Afternoon 


OLD DELFT 


3822—Set or THrEE Outp Detrt Vases 


Eighteenth century. One vase is pear-shaped with a long tapering 
neck, and two are club-shaped with narrow necks. Decorated, in 
blue on white, with Oriental subjects of birds, flowers and butter- 
flies. Mark A. C. P. in blue. 


Height of two, 7% inches; of one, 7 inches. 


323—Oxp Deurr TanKkarp 


Baluster-shape, with looped handle. Decorated, in blue on white, 
in the Oriental manner with a subject of Chinese figures in a land- 


scape. 
Height, 7 inches. 


324—Oup Deurr Vase 


Eighteenth century. Straight sides, with incurved rim. Decorated, 
in blue on white, with a design of Chinese figure, landscape, palm 


trees and house. | 
Height, 11 inches. 


325—MiniaturE Detrr Ware CaBINET 
Cabinet, with hinged door, supported on twisted balusters which 
rise from a rectangular base resting on four ball feet. Decorated, 
in blue on white, with pastoral figure subjects, landscape, floriated 


borders and bird, leaf and flower forms. 
Height, 121, inches. 


326—Oup Detrr Bown 


Kighteenth century. Straight fluted sides. Decorated, in blue on 
white, with a design of floral garlands enclosing panels, which are 
occupied by designs of birds and flowers, otherwise decorated with 
floral scrolls and knots of ribbons. Mark of W. Van der Does. (Re- 
paired. ) 


Height, 51%, inches; diameter, 11 inches. 


327—Oxup Deurtr VAsE 


Seventeenth century. Pear-shaped with gauffered rim. Deco- 
rated, in blue on white, with Chinese figure subjects surrounded by 


scrolled borders. Unknown mark. 
Height, 81%, inches. 


Second Afternoon 


328—Parr oF Outp Detrrtr Vases 


Eighteenth century. Pear-shaped, with fluted sides. Decorated, 
in blue on white, with pattern of scrolled leaf forms and flowers and 


with borders of a pointed-leaf design. 
Height, 8 inches. 


329—Oxip DELFT VasE | 


Octagonal baluster-shape, with domed cover terminating with a 
finial. Decorated, in blue on white, with an allover design of pea- 
cocks, flowers and leaves and a broad border of scroll work and leaf 


forms. (Cover repaired.) 
Height, 12 inches. 


330—Oxtp Deurr VAsE 


Highteenth century. Octagonal baluster-shape, with domed cover 
terminating with a finial. Decorated, in blue on white, with an 
allover design of peacocks, flowers and leaves, and a broad border 

of scroll work and leaf forms. 
Height, 12 inches. 

331—Pair or Otp Derr Vases 


Seventeenth century. Octagonal bell-shaped, with bulbous necks. 
Decorated, in blue on white, with panels of birds and flowers and 
with borders of scrolled and floral design. (Damaged.) 


Height, 13 inches. 
332—Oup DreutFrr GARNITURE OF FIVE VASES 


Eighteenth century. Three baluster-shaped vases (two with covers 
having scrolled finials, and one with cover having finial shaped as 
parrot feeding on fruit), and two hexagonal spill-shaped vases. 
Decorated, in blue on white, with scrolled panels occupied with sub- 
jects of a man in eighteenth century costume leading a dog. Mark 


of De Klaauw (Sign of the Griffin). 
Height (three), 14 inches; (two), 1014 inches. 


900—OLp DetFrr GARNITURE OF THREE VASES 


Kighteenth century. Two octagonal pear-shaped and fluted vases, 
and one octagonal spill-shaped vase, all with covers. Decorated, in 
blue on white, with panels separated by scroll and diapered borders 
and occupied with Oriental subjects of stag and roe-deer and land- 
scapes. Domed covers, decorated with panels of fruit forms and 
terminating in finials shaped as Oriental mythical monsters. Mark 


re EL; 
Height of two 141% inches; of one 1514 inches. 


Second Afternoon 


334—Oup Detrr Vase 
Seventeenth century. Octagonal spill-shaped, with fluted sides. 
Decorated, in blue on white, with panels containing subjects of a 
Chinese pagoda with figures and with borders of panels, in white 


reserve, occupied by leaf forms. Dated 1656. 
Height, 14 inches. 


38385—Oup Drurr VAsE wiTtTH CovER 
Seventeenth century. Pear-shaped. Decorated, in blue on white, 
with Oriental allover design of flowers, leaves, birds and butter- 


flies. Domed cover. (Cover faulty.) 
Height, 121, inches. 


3386—Parr oF Otp Deutrr Vases anp Covers 


Baluster-shaped. Decorated in polychrome, with subject of Chi- 
nese figures, peony blossoms, detached sprays of flowers and leaves 
and writers’ emblems. Domed covers, with pear-shaped finials. 


(Repaired. ) 
Height, 10 inches. 


337—Ox.p Derr GarniTuRE OF THREE PIECES 

Eighteenth century. One octagonal spill-shaped and two octag- 
onal baluster-shaped vases. Decorated in polychrome, with oval 
panels surrounded by raised borders of scrolls, flowers and leaves, 
and containing landscape subjects of Dutch windmills and water- 
fowl. Domed covers, ending in fluted finials. Mark of Justus 
Brower (De Byl). 

) Heights, 1534 inches. 


38388—Oup Deurr PLATE 


Seventeenth century. Decorated, in blue and purple, with a figure 
subject of “Saint Peter denying Christ.” (Mat. X XVI, 74-75). 


Diameter, 7 inches. 


339—Detrr Derr DisH 
Eighteenth century. Decorated, in blue on white, with an Oriental 
design of floral sprays and pine cones, and with a border of six 
panels occupied by flower forms and separated by diapered spaces 
of a checkered pattern. Mark of J. T. Dickstraat. 


- Diameter, 10 inches. 


Second Afternoon 


340—Ox.p Detrr PiatEe 
Seventeenth century. Decorated in blue on white. The center is 
occupied with an allover pattern of peonies and other flower forms 
and the deep border with a design of corresponding character. 


(Cracked.) Mark of Roerder. 


Diameter, 10 inches. 


341—OLtp Deurr Derr Dis | 
Seventeenth century. Decorated in polychrome, the center being 
occupied with a conventional flower form in brown surrounded by 
a border of six heart-shaped panels occupied, and alternating, 
with flower and leaf forms in red, yellow, blue and green. There is 
an outer border of six panels of white reserve checkered designs 


in red and blue. 
ire Diameter, 1134 inches. 


342—O.p Detrr Derr Disu 
Eighteenth century. Decorated in polychrome, the center being oc- 
cupied with a figure of a woman holding a cornucopia surrounded 
by floral and leaf forms and by a border of panels containing 


floral and leaf forms. 
Diameter, 1334 inches. 


343—Oxp Detrr Derr Disu 
Circular shape, with fluted border. Decorated, in blue on white, 
with pseudo-Chinese figure subjects. 


Diameter, 111% inches. 


344—Oup Detrr Derr Disxu 
Circular shaped, with fluted border; decorated in blue and yellow 


on a white ground. 
Diameter, 13 inches. 


345—Oxip Detrr Derr Disu 
Decorated in blue on a white ground. The center is occupied with an 
all-over pattern of flowers and leaves in the Oriental style, sur- 
rounded by a deep border of panels bordered by conventional leaf 
forms and occupied with groups of peony blossoms and leaves. 


Diameter, 1514, inches. 


Second Afternoon 


346—Oup Detrr Watt PLaaQuE 
Seventeenth century. Scrolled escutcheon-shaped. Decorated, in 
blue on white, with a subject of a Dutch harbor with square-rigged 
ships, rowboats, fishing smacks, etc., surrounded by a molded and 


marbled border. (Repaired. ) 
Height, 22 inches; width, 18 inches. 


GREEK GLASS AND POTTERY AND OTHER OBJECTS 


347—Two FracmMents oF Greco-Roman Guass 


Invested with a fine iridescence. 


348—Graco-Roman Wuitr Guass BotrrLe 


Flat dome-shaped body, with tall cylindrical neck. Of a white 


glass coated with a fine iridescence. (Broken.) 
Height, 5 inches. 


349—Greco-PHa@nician Guass UNGUENTARIUM 
Twin conjoined cylinders, with looped carrying handles.° Of green 
glass invested with a slight iridescence. 


Height, 6 inches. 
350—Greco-PHe@niciaN Guass UNGUENTARIUM 
Twin conjoined cylinders of green glass. Invested with a slight 
iridescence. 
Height, 41, inches. 
351—Greco-PHa@nician Guass BotTLeE witH HAanpdLE 
Pear-shaped with flat and reeded looped handle. Of greenish white 
glass, partially invested with a fine iridescence. 
Height, 4 inches 
352—Greco-PHenician Guass UNGUENTARIUM 
Twin conjoined cylinders surrounded by a spiral thread of green 
glass with two looped side handles. Invested with a beautiful 
silvery iridescence. 
Height, 414 inches. 
353—Graco-PHa@nician UNGUENTARIUM 
Cylindrical reeded body. Of greenish white glass, with spreading rim, 
flat reeded handle. Invested with a delicate iridescence. 
Height, 41, inches. 


Second A fiernoon 


354—Graco-Roman Guass Botrriue 


Pear-shaped body, cylindrical neck. Of white glass. Invested with 


a delicate iridescence. 
Height, 41% inches. 


355—Graeco-PHE@NICIAN Guass .BEAKER 


Pyramidal-shape. Of white glass, ornamented with raised splashes 
of amethystine glass. ‘The whole is invested with a very beautiful 


iridescence. 
Height, 6 inches. 


356—Greco-Roman Guass VasE witH HanpLE 


Pear-shaped, with cylindrical neck and looped handle. Greenish- 
white glass, partly invested with a fine iridescence. 
| Height, 51%, inches. 


357—Graco-Roman Guass VASE 


Of the second century. Pear-shaped, with spreading rim, and of 
amber-colored glass. Interior only showing signs of disintegra- 


tion. 
Height, 444 inches. 


358—Graco-Roman Guass BorrLuEe 


Spherical body, with tall cylindrical neck. Of amber-colored glass. 


The interior showing signs of disintegration. 
Height, 61% inches. 


359—Greco-PHa@niIcIAN Guass BoTTLE 


Pear-shaped, with short cylindrical neck. Of greenish-white glass, 


invested with a very beautiful iridescence. 
Height, 514 inches. 


3860—PaneL oF EcyrptiaAn Paintep LINEN 


Eighteenth Dynasty. Originally forming part of a mummy case. 
Painted in colors. 


361—Parr or Ecyrtrian Potrrery PERFUME BOTTLES 


Fifteenth century A.D. Pear-shaped, with carved spouts, looped 
and beaded handles, circular bases and pointed stoppers. Dec- 
orated around the body with a band of incised ornamentation. One 


red and the other black. 
Height, 91% inches. 


Second Afternoon 


362—EeyPrTian NECKLACE 


Eighteenth Dynasty. Formed of beads of vari-colored pottery ar- 
ranged in a reticulated pattern. | 


363—Five Miniature GREEK Potrery VASEs 


Third to the first century B.C. One of them is amphora-shaped and 
another is decorated in red and black on a buff-colored ground. 


364—Six Greco-Roman Hanp Lamps 
First century B.C., of red, white and brown terra-cotta decorated 
in various designs. , | 


365—GreEk Cup witH HanpdLE 
Fourth century B.C. Coupe-shaped, with a looped handle having 
disk-shaped thumb purchase. The sides of the bowl are decorated 
with the subjects of a seated figure, and faun and lion-like animals 


in black and white on light red ground. 
Height, 314 inches. 


366—GREEK T'ERRA-cCOTTA VASE 


Second century B.C. Amphora-shaped, with cylindrical neck dec- 


orated with bands of ‘black and red. 
Height, 51% inches. 


367—GreEek Trerra-cotta Bow. witH Cover 
First century B.C. Globular-shaped, with flat cover terminating 
in a baluster-shaped finial. Decorated on a pale buff ground with 
bands of ornamentation painted in light red. Excavated at Athens. 
Height, 7 inches. 


368—GRrReEEK TERRA-cOoTTA VASE OR UNGUENTARIUM ; 
Third century B.C. Lecythus-shaped, with tall neck and looped 
handles. Decorated with a seated figure of a winged Victory in 
white on a black ground. (Excavated at Cuma.) 
Height, 7%, inches. 


369—GreEk TrErrA-cotta VASE 


Fifth century B.C. Lecythus-shaped, with tall neck and flat looped 
handles. Decorated in black on a light-colored ground with bands 


of honeysuckle ornamentation. 
Height, 71/4, inches. 


Second A fternoon 


370—GreEK TeERRA-Cotta VASE 


Second century B.C. Cantharis-shaped, with fluted body, two pro- 
jecting twisted handles and circular base. Decorated with a band 
of meander and honeysuckle ornamentation in red on a black 
ground. 
Height, 8 inches. 
371—Greco-Roman TrErra-cotta Vase wiTtH CovER 


Fourth century B.C. Tazza-shaped body, with projecting looped 
handles and slightly domed lid terminating in a tall finial supported 
by shaped leaves and pierced for the emission of incense fumes. 
The lid is decorated on a black ground with a meander and honey- 


suckle pattern in red. (Excavated at Cuma.) 
Height, 9 inches. 


3'772—CorInTHIAN TERRA-COTTA VASE wItTH HaNnpLEs 
Fourth century B. C. Pear-shaped, with flat straight looped han- 


dles having disk-like ornamentations at the angles and junctions 
with the body. Decorated in brown on a pale yellow ground with 
bands of interlacing and zigzag ornamentations. (Excavated at 


Nola.) 
Height, 9 inches. 


373—Gra«co-Roman Terra-cottra VASE 
Fifth century B.C. Qé£nochoe-shaped body, with pinched-in neck, 


cylindrical looped handles and circular base. Decorated on a 
black ground with a panel of light red reserve occupied with a 
subject of the contest between Menelaus and Hector, painted in 
black and red, and with bands of honeysuckle ornamentation in 
black on a light red ground. 

Height, 9 inches. 
374—Erruscan TErra-cotta Vase 


Fifth century B.C. Amphora-shaped, with cylindrical neck, flat 
looped handles and circular base. Decorated on a red ground with 
Bacchic figures and with bands of honeysuckle and lotus leaf orna- 
mentation. (Excavated at Chiusi.) 
Height, 10 inches. 
375—Graco-Roman Terra-cotta VaAsE 
Hydria-shaped, with fluted body, cylindrical neck and three handles. 
Decorated on a black ground with the figure of a bird and with 
bands of rosetted ornamentation. (Excavated at Nola.) 


Height, 10 inches. 


‘ 


Second Afternoon 


376—GreEEK TeERRA-coTTa VASE 
Third century B.C.  Lecythus-shaped, with cylindrical-shaped 
neck and handle. Decorated on a light buff ground with figures 
of a man and woman sacrificing, and the bands of Greek fret and 
honeysuckle ornamentation painted in brown and black. 
Height, 101%, inches. 
377—ANTIQUE TERRA-coTTA BowL 
Pear-shaped, with curved neck. Decorated in red, black and white 
with a bold conventional pattern of geometrical design. 
~ Diameter, 114% inches. 
378— GREEK Terra-coTtta VASE | 


Third century B.C. Qnochoe-shaped body, with ovine neck, 
on a black ground with a seated figure of a winged Victory in red 
shaped rim, high flat, looped handles and circular base. Decorated 
reserve and with a honeysuckle and scroll ornamentation. (Dam- 
aged. ) 

Height, 114% inches. 
379—Greco-Roman Terra-cotra VAsE | 


Fourth century B.C. Crater-shaped, with straight neck and two 
side handles formed as double cylinders with rectangular lifting 
bars. Body decorated in red on black with panels of mythological 
figures and with bands of lotus leaf and honeysuckle ornamentation. 


(Excavated at Cuma.) 
Height, 16 inches. 


380—Graco-Roman TErra-cotta VASE 


Third century B.C. Amphora-shaped, with flat looped handles 
and circular base. Decorated, in red and buff on a black ground, 
with subjects of male and female figures making offerings at a 
tomb, a warrior with horse standing in front of a temple entrance, 
with flanking male and female figures, and with a bold honeysuckle 
ornamentation. ‘The neck is decorated with a portrait and with 
an elaborate scrolled and floral pattern, bands of Greek fret, honey- 
suckle and conventional wave ornamentations in black and red. 


Height, 31 inches. 


3881—Two Tanacra Ficures 


Figures of women, one seated and one standing, modeled in terra- 
cotta. (Damaged.) 
Heights, 64% and 6%, inches. 


Second Afternoon 


382—Greek Terra-coTta Ewer 
Third century B.C. Pear-shaped, with fluted body, cylindrical 
rim and a round looped handle terminating in a mask, Around 
the neck is a band of Greek meander and lotus leaf design. (Ex- 


-cavated at Nola.) age : 
eight, 12 inches. 


OLD HISPANO-MORESQUE AND OTHER FAIENCE 


383—Oxp Hispano-Moresaue Masouica Vase 
Seventeenth century; Valencia. Ovolo form, with projecting 
wing handles. Decorated, in copper luster, with Sacacenic design 


of leaf forms. 
Height, 914 inches. 


384—Oxp Hispano-Moreseve Masorica VasE 
Seventeenth century; Valencia. Pear-shaped body with projecting 
wing handles. Decorated, in copper luster, with an allover pat- 


tern of birds, flower, leaves and scrolls. 
Height, 9 inches. 


3885—O.p Hispano-Moreseve Masorica VasE 
Seventeenth century; Valencia. Pear-shaped form, with high neck 
and projecting wing handles. Decorated in copper luster, the 
lower portion in a diapered scroll pattern with pine leaves and 
scrolls, the neck with a Saracenic design of ridged panels oc- 


cupied by a conventional leaf form. 
Height, 10 inches. 


386—Oxp Hispano-Moresave Derr Disu 
Seventeenth century. Decorated in dark copper luster. The en- 
tire center is occupied with a design of a conventional carnation 
rising from a vase and surrounded by a border of scroll design. 


Diameter, 13 inches. 


387—Oxp Hispano-Moresavue Derr Disu 
Seventeenth century. Decorated in dark copper luster. The en- 
tire center is occupied with a design of a conventional carnation 
rising from a vase and surrounded by a border of scroll design. 


Diameter, 14 inches. 


Second Afternoon 


388—Oxp Hispano-MoresauEt DeEr Disu 


Seventeenth century. Decorated in golden luster and blue. The 
raised center is surrounded by an inner border of pseudo-Arabic — 
characters and by a broad outer border of leaf forms and scrolls in | 
golden luster and blue. 


Diameter, 13 inches. 


389—Oup Hispano-Moresaqut Deer DisH 


Seventeenth century. Decorated in a greenish-yellow luster. The 
raised center is surrounded by an inner border of bands and lines, 
and by a broad border of leaf and flower forms in yellow luster. 


Diameter, 13 inches. 


390—O.up Hisepano-Moresaut Deer DisH 


Seventeenth century. Decorated in greenish-yellow luster. The 
raised center is surrounded by an inner border of bands, lines and 
pseudo-Arabic characters and by a broad outer border of leaf 


forms, all in yellow luster. 
Diameter, 131% inches. 


391—O.p Hispano-Moresavue Deer DisH 


Seventeenth century. Decorated in copper luster. The raised 
center is of pointed conical form and is surrounded by a diapered 
pattern, by leaf forms and scrolls, and by a deep outer border of 
rosetted forms alternating with leaf and scroll forms. 


Diameter, 1414 inches. 


892—Op. Hiseano-Moresaut Deer DisH 


Seventeenth century. Decorated in copper luster and blue. The 
raised center is surrounded by an inner border of flower and leaf 
forms in blue, by scrolls in copper luster and by an outer border of 
gadroon forms of alternate blue and copper luster. 


Diameter, 1434 inches. 


3893—OLp Hispano-MoresaurE Deer DisH 


Seventeenth century. Decorated in copper luster and blue. The 
raised center bordered with lines of blue is surrounded by an inner 
border of leaf forms in copper luster and by a broad outer border 
of gadrooned design outlined in blue and decorated with splashes 


of copper luster. 
Diameter, 1434 inches. 


Second Afternoon 


394—Oxp Hispano-MoreEsaurt Derr Disu 


Seventeenth century. Decorated in copper luster. The raised 
center is decorated with a floriated cross in blue surrounded by 
alternate borders of scroll and zigzag design in copper luster and 


by lines of blue. 


Diameter, 1514 inches. 


395—Ouxp Hispano-MoresavuEt Derr DisH 


Seventeenth century. Decorated in a golden copper luster. The 
raised center is surrounded by eight radiating panels which are 
outlined by raised borders of a rope design. Four of these are 
occupied by diapered patterns and leaf forms, the other four with 
a diaper and scroll pattern and by raised roundels. 


Diameter, 151% inches. 


396—O.utp Hiseano-Moreseut Derr Disu 


Seventeenth century. Decorated in dark copper luster. The raised 
center is surrounded by an inner border of pseudo-Arabic char- 
acters. ‘The outer border is of a raised leaf and flower design and 


of scrollings. 
Diameter, 1614 inches. 


397—Oup Hispano-Moresaque Deer Disu 


Seventeenth century. Decorated in copper luster. The raised 
center is surrounded by an inner border of flowers, leaves and scrolls 
and by an outer border of raised gadroons decorated with flower 
and leaf forms and with diapered patterns of a star design. (Re- 
paired. ) 


Diameter, 151%, inches. 


398—Oxp Hispano-Moresaque Deer DisH 


Seventeenth century. Decorated in a golden luster. The raised 
center is decorated with a design of Saracenic interlacements and 
is surrounded by border of Saracenic design interrupted by four 
shields occupied by pseudo-Arabic characters and scrolled work. 
There is a broad outer border of four panels occupied alternately 
by a raised design of Saracenic flower-forms and by pseudo-Arabic 


characters. 
Diameter, 1514 inches. 


Second Afternoon 


399—Oxp Hispano-MoresavuE Derr Disu 
Seventeenth century. Decorated with copper luster and blue. 
The raised center is painted in blue and surrounded by an inner 
border of floral design and an outer border which has a pattern of 
incised flower and leaf design outlined in blue. ( Repaired.) 


Diameter, 151, inches. 


400—Oup Hispano-MoresauEt Deer DisH 
Seventeenth century. Decorated in dark copper luster. The raised 
center is surrounded by a deep border of conventional fish and lily 
forms and by an outer border of loop design. 
Diameter, 16 inches. 


401—Oup Hispano-Moreseut Derr Disu 
Early seventeenth century; Valencia. Decorated in copper luster 
and blue. The center is occupied by a cross with floriated arms 
in copper luster and blue. The outer border is decorated with a~ 
Spanish inscription in Gothic characters of blue interrupted by 
panels of leaf forms painted in copper luster. This inscription 
runs “Santa Catarina Guarda nos” (St. Catherine protect us). 


Diameter, 14 inches. 


402—Oup Hispano-MoresevE Derr DisH 
Seventeenth century. Decorated in dark copper luster. The sur- 
face is occupied with a design of small fish surrounded by sprays of 
carnation blossoms, with an outer border decorated in a scroll 


design. 


Diameter, 1834 inches. 


403—Hispano-Moreseve Derr Dis 
Seventeenth century. Decorated in copper luster on a pale yellow 
ground. The center is occupied with conventional design of a bird 


surrounded by a scrolled border. 
Diameter, 1514 inches. 


404—Hispano-MoresauE Deep Disu 
Seventeenth century. Decorated in dark red copper luster. 
The center is occupied with a conventional design of a bird and 


by floriated ornamentation. 
Diameter, 16 inches. 


Second Afternoon 


405—O.p Hispano-Moresavue Derr Disu 
Seventeenth century. Decorated in copper luster. The center is 
* occupied by a conventional design of a bird surrounded by groups 
of carnations and by a scrolled border. 
Diameter, 16 inches. 
406—Oxp Hispano-Moresavut Derr DisH | 
Seventeenth century. Decorated in light copper luster. The 
raised center is surrounded by an inner border of palm leaves and 
scrolls and by an outer border of raised gadroons decorated with 


floral forms and diapers. 
Diameter, 171, inches. 


ITALIAN MAJOLICA 


407—Mopern Danisu Pottery Vase witH Hanp.Lezs 
Decorated on a black ground with an Egyptian ornamentation. 
| Height, 10 inches. 


408—Roman Mosaic 
Nineteenth century. Figure of an Italian Contadina. Inlaid 


frame of ebony and ivory. 
Mosaic, 5 inches by 534 inches; height, 7 inches. 


409—Itraztan Farence Piaavue 
Seventeenth century. Circular shape, decorated, in blue on white, 
with subject of Christ and the Woman of Samaria. Black wood 
frame. 
: Diameter, 614 inches. 
410—Irauian Masourica PLaauE 
Seventeenth century. The center is occupied with a pastoral figure 
subject of women washing clothes surrounded by a border of 
Amorini, flowers and escutcheons painted in natural colors heigh- 


tened by gilding. Black wood frame. 


Diameter, 61%, inches. 


411—Iratian Magorica PiaaQue 
Seventeenth century. The center is occupied by a female figure in 
a chariot being crowned by attendant and surrounded by a border 


of scrolls and masks. Dark wood frame. 
Diameter, 634 inches. 


Second Afternoon 


412—Iratian Magonica PLaaQue 


Seventeenth century. The sunken center is surrounded by broad 
border of scroll work and Amorini painted in green, yellow and blue — 


on a pale blue ground. Framed. 
Diameter, 7 inches. 


4138—Iratian Masonrica PLAQUE 


Seventeenth century. The center is occupied by a subject of 


Mercury and Venus. 
Diameter, 71/4, inches. 


414—Iratian Magsourica PLAQUE 


Seventeenth century. The center is occupied by a hunting subject 
surrounded by a border of Amorini and scrolled decorations. 


Diameter, 71%, inches. 


415—Itratian Masouica PLAaQuE 


Seventeenth century. The center is occupied with a subject of a 
reclining female figure attended by Cupids. Painted in natural 
colors heightened by gilding. 


Diameter, T1/, inches. 


416—Irauin Magsouica Derr Disu 


In the style of the seventeenth century. The center is occupied 
by a portrait of Dante Alighieri surrounded by a border of 
arabesque design of masks and cherubs painted in a light blue 


reserve on a dark blue ground. | 
Diameter, 1334 inches. 


41%7—I rattan PuastER PLAQuE 


In the style of Donatello. Figure of the Virgin and Child modeled 
in high relief and surrounded by cherubim. ‘Tinted in colors on 
a dark green ground and in an elaborately carved mahogany and 


gilt frame. 
Height of panel, 261, inches; width, 1814 inches. 


418—Patrr or Irarian Masouica VAsEs 


Pear-shaped, with cylindrical necks and boldly scrolled handles or- 
namented with masks. The bodies are decorated with escutcheon- 
shaped panels surrounded by elaborately scrolled borders and oc- 
cupied with figure subjects, including Venus and Adonis. These 
panels are surrounded by an elaborate ornamentation of scrolled 


Second Afternoon 


work of an architectural character painted in brown and yellow 
on a dark blue ground. The stems are modeled as grotesque heads, 
volutes and garlands of fruits, and the molded bases are of quatre- 
foil design. 
Height, 381%, inches. 
419—Iratian Magotica Vase 


Bottle-shaped, with high cylindrical neck. Decorated on a yellow 
ground with a polychrome arabesque ornamentation. Mark: 
Ginori. 
Height, 6 inches. 
420—PortucuEsE Magouica VasE 


Eighteenth century. Bottle-shaped and decorated on a blue ground 
with a scrolled pattern of flowers and birds in green and yellow 
outlined in brown. 
Height, 9 inches. 
421—Pair or Itarian Masouica Vases 


Pear-shaped, with low cylindrical necks and spreading rims. Deco- 
rated in polychrome with scrolled escutcheons occupied by portraits 
of men and soldiers in sixteenth century costume and with patterns 
of flowers and leaves on dark blue grounds. 
Height, 101, inches. 
422—Iratian Masouica VasE 


Eighteenth century. Bottle-shaped, with high cylindrical spread- 
ing neck. The body is decorated in colors with subjects of birds, 
foliage and bands of floral ornamentation. The neck is decorated 
with four panels of white reserve occupied by floral sprays. 


Height, 1114 inches. 
423—Irartan Masouica VasE 
Pear-shaped, with cylindrical neck. Decorated on a blue ground 
with a scrolled pattern of flowers and leaves in yellow and green. 
The neck is decorated with two bands of meander pattern in yel- 
low and brown on a blue ground. 
Height, 141, inches. 
424—Irartan Magsorica Vase 
Pear-shaped, with fluted looped handles ending in grotesque masks. 


Decorated on a white ground with an all-over pattern of conven- 


tional leafage in blue. 
Height, 141, inches. 


Second Afternoon 


OBJECTS IN VARIOUS METALS 


425—ANTIQUE Brass RELIQUARY 


Russian, with filigree scrolls and set with various colored stones — 


and enamels. 


426—Fovur SPECIMENS OF BrASS AND SILVER | 
One an Indian silver box with repoussé ornamentation, and two 
bowls and a box of Benares brass. 


427—Five Sitver Toys 
Dutch and French. Two chairs, table and two vases. 


428—MINIATURE SILVER 'TEA-SET 
With floral ornamentation. Comprises teapot, sugar bowl, creamer 
and tea-caddy. 


429—SILVER-PLATED CREAMER 
French. Repoussé ornamentation of flowers, masks and Bacchanal 
subjects. 


430—InxstTanp AND WATER SPRINKLER 


Pine cone and leaf designs. 


431—SMALL JARDINIERE 


Brass; on three feet. 


432—CHINESE Prisst’s Wanp anp CEREMONIAL SYMBOL 
The former hollow and with engraved ornamentation; the latter 
brass. 


433—CHINESE Brass BELL 
With symbols, grotesque masks and other ornaments in low relief. 


The handle is a part of a priest’s symbol. 
Height, 71, inches. 


434—AnTIQUE CHINESE Bronze BELL 
In the form of a Buddha’s-hand fruit. Fine tone. 


435—ANTIQUE BronzE BotTrLe witH Cover 


With inlay of floral band and designs in silver. 
Height, 10 inches. 


ao 


Second A fternoon 


436—Perrsian Brass Bow. 
Engraved ornamentation of characters, and mythical and other 


animals. 
Diameter, 8 inches. 


437—Haneinc Lame Bowr 
Persian brass, with pierced designs of flowers and birds. 


438—Perrsian Copper Ewrr anp ENAMELED JAR 
The former with animal head spout and handle and relief ornamen- 
tation; the latter with vases of flowers, fish and other decoration 


in relief on an enamel ground. 
: Respective heights, 914 and 10 inches. 


439—Perrsian Brass JAR witH CovER 


Repoussé ornamentation of dogs hunting birds, and leaf scrolls, 


and bands of spear-heads and leaves. 
Height, 11 inches. 


440—Partr or Persian ‘Brass CANDLESTICKS 


In the form of cobras; with lotus top. 
Height, 8 inches. 


441—Brass CaNnDLESTICK 
With engraved ornamentation and very wide base. 
Height, 181, inches. 


442—Perrsian Brass Ewer 
With engraved ornamentation of figures, animals, mythical mons- 


ters, birds and leaves. 
Height, 141, inches. 


443—Brass Sconce 


With pierced and repoussé bands and borders of grapes and leaves 


and coat-of-arms. 'T'wo candle brackets. 
Height, 15 inches. 


444—BronzeE Bust 


Head of a Greek god. After the antique. 
Height, 111%, inches, 


Second Afternoon 


445—PuastTeR Bust 
Portrait of a young woman with high ruff. From a wax model. 
Signed Salori. . 
Height, 151, inches. © 
446—Brass JARDINIERE 
Chinese style. With two winged dragon handles and pierced base. 
Height, 14 inches; diameter, 19 inches. 


447—Exectric Taste Lampe 
With brass vase standard and silk and gold lace shade. 
Height, 221, inches. 


448—Partr oF Persian Brass Borrues 


With engraved ornamentation of peacocks, figures, animals, leaves 
and flowers. 
Height, 17 inches. 


449—AntTiquE Persian Brass VAsE 


Inverted pear-shape. Pierced and with applied ornamentation of 
silver leaf. 
Height, 204, inches. 
450—Perrstan Brass LAnTEeRN 


Pierced with scroll and leaf designs and overlaid with silver leaf. 
Fitted for electric ight and with chain for hanging. 
Height, 31 inches. 


451—Perstan Larce Brass PuaauE 


Engraved ornamentation of figures, animals, leaves and leafy 
branches, and enameled in various colors. The prevailing color red. 


Diameter, 35 inches. 


452—Brass PLaquE 
With a repoussé portrait of Henry IV, dated 1601, and masks and 
leaf scrolls. 


Diameter, 23 inches. 


THIRD AND LAST AFTERNOON’S SALE 


SATURDAY, FEBRUARY 27, 1915 


AT THE AMERICAN ART GALLERIES 


BEGINNING AT 2.30 O'CLOCK 


Which includes Catalogue Nos. 453 to 563 


FURNITURE 
Mostly Specially Designed Pieces by Cottier & Co. 


4538—Soui Exsony Prprestay 
With carefully executed carvings of vases of flowers, leaves and 


fluted pillar corners. 
Height, 101, inches; length, 6 inches; width, 434 inches. 


454—X Book-rest 
Walnut, with inlaid floral designs in mother-of-pearl, gilt vines 
and pierced sides. 
Height, 23 inches. 
455—ExonizEp PEDESTAL 


With pottery panel inserted in the top. 
’ Height, 81% inches; diameter, 1314 inches. 


456—Watnut Boox-rEst 
X-shaped. Moorish design, with spindle panels. 
Height, 26 inches. 
457—TorxisH ‘TAaBpoureET 
With inlaid floral patterns in ivory. Pierced sides. 


Height, 19 inches; diameter, 15 inches. 


458—Low SrTanp 
Walnut, with inlaid floral patterns and bands in mother-of-pearl 
and ebony. Eight bell-shaped legs. 


Height, 9 inches; diameter, 24 inches. 


Third and Last Afternoon aye 


459—FirE SCREEN 
Oak frame, with grooved ornamentation and an old embossed 


leather panel. : 
Height, 41 inches; width, 24 inches. 


460—Persian Lacaver Prprestat TaBLE 
Trefoil- shape, with under-shelf. Floral and leaf bards bands and 
panels in various colors. Twisted tripod supports. 
| Height, 26 inches; diameter, 17 inches. 


461—Duvuuu Rep LacquERED TABLE 


With bird and a blossoming peach tree in black and gold lacquer. 
Has rolled end, two drawers, under-shelf and scroll supports. 
Height, 29 inches; length, 30 inches. 


462—Manocany OccasionaL TABLE 
With shaped top, straight fluted legs and under-shelf. 
Height, 261, inches; dameter, 241, inches. 


463—SmMaLuL TABLE | 


Square top, with mahogany center and black border. The turned 
legs, braces and under-shelf to correspond. 
H eight, 27 inches; diameter, 22 inches. 


464—Exony Preprestat TaBLe 
With inlaid top, turned legs and brass mounts. 
Height, 31 inches; diameter, 15 inches. 


465—Manocany Smatut TABLE 


The shaped top inlaid with comino, satin and rosewood. Straight 


legs. 
Height, 24 inches; diameter, 2114 inches. 


466—RosEwoop Carp TABLE 


The lift-over top is covered with green felt. With under-shelf and 


turned legs. 
Height, 2 feet 3 inches; diameter, 3 feet. 


Third and Last Afternoon 


467—Two RosrEwoop Sipr CuHatrrs 


With spindle backs, braces and legs. Seats in embossed green 
velvet on a salmon ground. 


468—Manocany. SipE CHAIR 


Of simple design with pierced splat. The seat in olive green em- 
bossed velvet, on a salmon ground. 


469—Two Manocany SipE CHarrs 


With fluted slat backs and turned legs and braces. Japanese bro- 
cade seats. 


470—Manocany Low ARMCHAIR 


Pierced scroll back, and oval seat. Scroll arms and legs, and 
turned spindle underbraces. 


471—Manocany Low ARMCHAIR 


With pierced and turned spindle back, curved arm rests, legs and 
cross braces. ‘I'he round seat covered with leather. 


472—ERBon1zED CoRNER CHAIR 


With curved slat back, square seat and turned legs and under- 
braces. Seat in velours. 


4°73 —M AHOGANY ARMCHAIR 


With pierced cross splat and deep plain rail. Shaped arms and 


turned legs and underbraces. The seat covered with tapestry. 


474—Manocany Rocker 


Square, spindled back, with an inlay of satinwood and mother-of- 
pearl. Rush seat. 


475—RosEwoop HicHBackEeD CHAIR 
Molded frame, the back and seat upholstered in brown plush. 


476—ExonizeEp Hatt CuHarr 
With etched and gilded ornamentation. 


Third and Last Afternoon 


477—Manocany Lisrary TaBsie 
The top is covered with leather and has a wide border of ebonized 


wood. Knee-hole sides, two cupboards, four drawers and turned 


legs. 
Height, 29 inches; length, 5814 inches; width, 3381, inches. 


478—Ostone Mirror 
With ebony and inlaid molded frame. 
Length, 4 feet 7 inches; width, 2 feet 2 inches. 


479—BrEvVELED PuatTE-cuass Mirror 
With inner and outer moldings of ebony and brass. The top orna- 
ment and mask corners of the same metal. 
Height, 4 feet; width, 3 feet 9 inches. 


480—Convex Mirror 
Gilt frame, with two candle brackets. The top surmounted by a 
reclining deer and tree trunks, and the base ornament a horn, sheaf 


of wheat and leaves. 
Height, 4 feet 4 inches; width, 2 feet 5 inches. 


481—Comino Woop Cainer . 
With painted decoration of fruit, flowers, and figures. Gilt-lined 
and one glass shelf. Cabriole legs and under-shelf. . 
Height, 4 feet 4 inches; length, 4 feet 7 inches. 


482—MarBLeE STATUETTE 
“Night.” Signed: O. S. Warner, 1879. On an ebony and inlay 


pedestal. 
Height of statue, 2 feet 10 inches. 


Height of pedestal, 2 feet 11 inches. 


483—BronzE STATUETTE 
Classic subject. On red marble base. Signed: Mathurin Moreau, 


1871. 
Height, 2 feet 7 inches. 


484—Bruack Marsire PEpEsTAL 


Oblong top and square base. 
Height, 3 feet 6 inches. 


Third and Last Afternoon 


485—Swiss Music Box 
In comino table case. Has drum, bell and bone attachments, six 
cylinders and plays thirty-six tunes. 
Height, 3 feet; length, 3 feet 6 inches. 


486—EBONIZED AND RosEwoop CorNER CABINET 


With a vase of flowers and floral sprays in white and a gilt band 
on the door. Cupboard and two shelves below. 
Height, 5 feet 11 inches; width, 2 feet 9 inches. 


487—FourFoLp JAPANESE SCREEN 


With red lacquered frame. The obverse sides of the panels em- 
broidered with flowers and autumn leaves in colored silks on black 
satin. ‘The reverse with painted decoration of water plants, birds 


and wistaria. 
Height, 54 inches; length, 81 inches. 


488—TurEEFroLD MoorisH ScREEN 
With cross spindle and ball panels and two screened miniature 


window balconies. 
Height, 60 inches; length, 60 inches. 


489—ExBonizEp CABINET 
Plain frame with three glass shelves and one glass door. 
Height, 4 feet 6 inches; width, 1 foot 9 inches; depth, 1 foot 1 inch. 


490—EpsonizEep CABINET 


With inlaid top and under-shelf. The four curved sides are of 
beveled plate glass. One door and four glass shelves. 
Height, 5 feet 3 inches; diameter, 1 foot 8 inches. 


491—EBonizEpD CABINET 


Oval, with the four sides and shelves of glass. 
Height, 5 feet 4 inches; width, 2 feet. 


492—ERonizEp CABINET 
With spindle rail, one long and one short glass shelf, and open 
base. Lined with blue plush. 
Height, 5 feet 5 inches; width, 3 feet; depth, 1 foot 4 inches. 


Third and Last Afternoon 


493—ERBonizED CABINET ; 


Similar to the preceding, but with one shelf, and smaller. 
Height, 5 feet; length, 2 feet 9 inches; depth, 1 foot 5 inches. 


494—EponizEpD CABINET 


Plain frame. With one side and two sliding doors of glass. ‘The 
under part open. 


Height, 5 feet 9 inches; length, 2 feet 9 inches; depth, 1 foot 3 inches. 


495—Oak CABINET 


Carved Renaissance designs with top cupboard, and one door which 
has a relief carving of a figure with cross, book and two trees. 
One door below, table base, and turned and bulbous legs. 


Height, 5 feet 3 inches; width, 2 feet 5 inches. 


496—ManocGany CABINET 


With spindle top rail, two cupboards, one with slant glass door, 
shelves and recesses. 
Height, 3 feet 8 inches; length, 3 feet. 


497—EponizEp CorNER CABINET witH INLAID CORNICE 


The upper portion with paneled glass sides and large door. ‘Two 


open shelves below. | 
Height, 4 feet 5 inches; width, 2 feet 4 inches. 


498—Manocany Bureau 
With five small and four large drawers. Brass handles. 
Height, 4 feet; width, 3 feet 2 inches. 


499—Manocany Larce Dressinc TABLE 


With central mirror cupboard sides, and shaped knee-hole front, 
Seven drawers and two pulls, and brass mounts. 


Height, 5 feet 7 inches; width, 4 feet 8 inches. 


500—Manocany Dressing BurEAu 


With square beveled plate mirror on turned supports. Four wide 
drawers and brass handles. 
Height, 6 feet 5 inches; width, 4 feet 3 inches. 


Third and Last Afternoon 


501—Esonizep AnD InLaip TaBLE CABINET 
The upper portion has a spindle rail, two shelves and a mirror 
back. Below are five drawers and an under-shelf. 
Height, 4 feet 9 inches; width, 2 feet 7 inches. 


502—EBonizEp CENTER TABLE 
The shaped top, inlaid with scrolls, bands, masks and torches in 
comino and other light colored woods. 
Height, 2 feet 5 inches; diameter, 3 feet 9 inches. 


503—Exsonizep Bookcase 
With leaf scrolls, masks, fruit and floral garlands in comino wood. 
The molded cornice has pillar supports and shaped sides on a 


deep shaped base. 
Height, 6 feet 9 inches; width, 3 feet. 


504—Exsony Hatt Stanp 
With cupboard and under-shelf. Curved ends, with brass rail and 


trays for umbrellas. 
Height, 3 feet 3 inches; width, 5 feet 6 inches. 


505—Eponizep AND InNLAtID Bookcase 
With cupboards and shelves. The inlays of comino and other woods 
are in palmette, scroll, fruit and mask designs. 
Height, 4 feet 6 inches; length, 7 feet 8 inches; depth, 1 foot 4 inches. 


506—Manocany Low CaBInEtT 


With two wide and two narrow glass doors and numerous shelves. 
One long and two narrow drawers and turned half-pilasters and 
brass handles. 

Height, 3 feet 5 inches; length, 7 feet 8 inches; depth, 1 foot 10 inches. 


507—Manocany and Watnut Bookcase 
With four beveled glass doors and numerous shelves. 
Height, 5 feet; length, 8 feet 4 inches; depth, 1 foot 6 inches. 


508—Manocany ANd Watutnut BooKCcASE 


Companion to the preceding. 


Third and Last Afternoon: 


509—Oax Liprary SUITE 


The backs and seats covered with leather. Turned supports and | 
cross braces. Comprises a large sofa and twelve chairs. 


510—OverRstTuFFED SoFa 


With curved back and arms. Velours covering. 


511—Larecr OvVERSTUFFED SOFA 


Ebony inlaid frame covered with woven tapestry. The back has 
a large hinged bookshelf. 


512—OvERSTUFFED SUITE 


With rolled arms and regen with écru brocade. Comprises a 
couch and four chairs. ) 


5138—CuicKxerinc Urpricut Piano 
Mahogany case. Has ebonized bench. 
Height, 4 feet 8 inches; length, 5 feet. 


514—Oak Dintnc Room Set 


Especially designed by Messrs. Cottier & Co. Comprises sideboard, 
sidetable and square dining table, with rounded corners. 


Height of sideboard, 5 feet 7 inches; length, 7 feet; depth, 2 feet 5 inches. 
Height of side table, 3 feet 6 inches; length, 5 feet; depth, 1 foot 10 inches. 


515—BeEproom SwITE 


Comino wood. With painted decoration of fan panels, ribbon bow- 
knots and festoons of flowers. Comprises double bedstead, with 
box spring and hair mattress, bureau, large dressing bureau, ward- 
robe with mirror door, and night stand. 


516—Esony anp RoseEwoop Mirror 
With shelves below and closed base. | 
Height, 12 feet; width, 4 feet. 
517—Fovurroup Fire ScrEEN 


Brass. 


518—Parr or Brass ANDIRONS 
With wide bases and ball tops. 


Third and Last Afternoon 


519—Brass Fire Irons 


Comprises shovel, tongs, poker and stand. 


520—Set oF Brass Fire Irons 
With ball tops. Comprises shovel, tongs, poker and stand. 


521—Sert or Fire Irons 
The shovel, tongs and poker of steel; the stand of cast iron. 


§22—-Ser or Fire Irons 


The shovel, tongs and poker of steel; the stand of cast iron. The 
tongs lack the top. 


523—Pair oF Brass ANDIRONS 
With vase tops, plain pillars and ball and claw feet. 


524—Brass FENpDER 
Round top rail, with pierced panels below, and closed base. 
Length, 3 feet 6 inches; depth, 1 foot. 


525—Piercep Brass FENDER 


With three paw feet. 
Length, 3 feet 9 inches. 


526—Brass FENDER 


Pierced front. 
Length, 3 feet 10 inches; depth, 11 inches. 


527—Curvep Brass FENDER 
With crushed ball feet and wire net. 
Height, 1 foot 5 inches; length, 4 feet 3 inches. 


528—Brass FENDER 
With round rail and pierced base. 
Length, 4 feet 5 inches; depth, 1 foot 2 inches. 


529—Brass Fire SEtT 
Andirons, fire irons and fender. 


Third and Last Afternoon 


PLASTER CASTS 


530—Tintep Puaster Cast 


BV ACLOIy 7 
Height, 31 inches; width, 9 inches. 


531—Tintep Puaster Cast 


Female figures. 
Height, 13 inches; width, 18 inches. 


582—Two Tintep Puaster Casts 


Female figures. 


5383—TintTED PuastER Cast 
“Virgin and Child.” From the original by Donatello. 
Height, 33 inches; width, 22 inches. 


5384—TintTED PuastTeR Cast 
“Virgin and Child.” From the original by Michael Angelo. 


Diameter, 34 inches. 


5385—TintTep Puaster Cast 


“The Trumpeters.”” From the original by Luca della Robbia, Flor- 
ence, Italy. 
Height, 41 inches; length, 3714 inches. 


536—TinTED PuasterR Cast 
“The Drummers.” From the original by Luca della Robbia. The 


original in Florence, Italy. 
Height, 41 inches; width, 8714 inches, 


537—TintTEp Puaster Cast 


Taken from a portion of the frieze of the Parthenon, Athens, 
Greece. 


Height, 41 inches; length, 48 inches. 


Third and Last Afternoon 


ORIENTAL RUGS AND CARPETS 


588—AnaTouiAN Mar 


Square central medallion with purple ground on a red field. Cor- 
ner ornaments and borders in blue, yellow, olive, red and white. 


Length, 3 feet; width, 2 feet 2 inches. 


5389—Bercoma Ruc 


Light green center, with prayer niche in red, with a wide and one 
narrow border. Geometrical patterns in colors to correspond. 


Length, 4 feet 9 inches; width, 2 feet 6 inches. 


540—Dacuestan Prayer Rue 
Ivory-white ground with star-shaped patterns, with a netted field. 
One wide and two narrow borders. : 
Length, 4 feet; width, 2 feet 9 inches. 


541—SaMARKAND Rue 


Conventional floral patterns in ten squares, with fret and diamond 
pattern borders, all in harmonious tones of yellow, brown, salmon 


and white. 
Length, 5 feet 11 inches; width, 3 feet 1 inch. 


542—AnaTOLIAN Prayer Rue 


Red center, with green prayer niche. One wide border and narrow 
borders and bands in white, blue, green and pink, with geometrical 


figures. 
Length, 4 feet; width, 3 feet 2 inches. 


~§43—Karapacu Prayer Rue 

Blue field, with two large medallions in white and two shades of red. 
The prayer niche outlined in white. Four borders in black, red, 
white, and yellow with conventional floral patterns. 


Length, 5 feet 2 inches; width, 2 feet 11 inches. 


544—KaraspacH Rue 
Dark blue central field with two rows of connected diamond-shaped 
ornaments in yellow, white and light blue. Three borders and nu- 
merous bands with star and other patterns to correspond. 
Length, 7 feet 6 inches; width, 2 feet 11 inches. 


Third and Last Afternoon 


545—KarapacH Rue 
Mauve central panel, with conventional floral medallions, with one 
wide and six narrow borders. ‘The predominating colors are yel- 


low, pink, brown and black. 
Length, 5 feet 5 inches; width, 3 feet 4 inches. 


Length, 6 feet; width, 4 feet 5 inches. 


546—KovutaH Prayer Rue 
Red center, scattered with blossom patterns and the prayer niche 
in blue. Two wide and numerous narrow characteristic bands. 
Conventional and blossom and floral patterns. 


547—CasistTan Rue 
Blue field, with archaic bird, blossom and floral patterns, in bril- 
liant colorings. One wide and four narrow borders to harmonize. 
Length, 6 feet 3 inches; width, 3 feet 5 inches. 


548—Acra Rue ' 
Sky-blue field, with pear-shaped patterns in harmonious colorings. 
One wide border in red and six narrow ones in black, blue and white. 
Length, 7 feet; width, 4 feet. 


549—KovurtaH Prayer Rue 
Blue center, the prayer niche in a much lighter shade, with one wide 
and seven narrow borders in brown, yellow, blue and dull black. 
Floral, star and other patterns. 
Length, 6 feet 6 inches; width, 4 feet 2 inches. 


550—Sarovuk Rue 
Dark blue field, with two vases of flowers and floral sprays in pale 
yellow, pink, brown and light blue. One wide and two narrow 


borders to harmonize. 
Length, 6 feet 8 inches; width, 4 feet 8 inches. 


551—Kazax Rue 
Ivory-white field, with three large medallions in green, and shades 
of blue, with diamond, flower and other patterns in brilliant color- 
ings. One wide and two narrow borders. 
Length, 8 feet 4 inches; width, 4 feet 6 inches. 


Third and Last Afternoon 


552—Iran Rue 
Old red field, with netted and connected floral patterns in green, 
pink, shades of blue and other colors. One wide border in blue and 
five narrow ones in yellow, blue and pink, with patterns to cor- 


respond. 
Length, 10 feet 9 inches; width, 5 feet 1 inch. 


5538—Kazak Lone Rue 
Pale shaded brown center with conventional floral, diamond and 
other patterns in yellow, blue, white and green. ‘Three narrow 


borders. 
Length, 11 feet 3 inches; width, 5 feet 4 inches. 


554—Karapacu Lone Rue 
Blue field with an all-over palmette pattern in red, green and 
white. One wide and two narrow borders. 
Length 16 feet 3 inches; width, 3 feet 9 inches. 


555—Acra Larce Rue 
White field with an all-over pattern of palmettes and floral scrolls 
in brilliant colorings. One narrow and six wide borders in blue, 
white and fawn to correspond. 
Length, 12 feet 8 inches; width, 11 feet 5 inches, 


556—Inpia Carpet 
Red field, with two green medallions and conventional floral pat- 
terns in pale blue, pink, light brown and yellow. One wide green 
border and two narrow borders to correspond. 
Length, 18 feet 5 inches; width, 11 feet. 


557—Inpia Larce Rue 
Red field, with diamond patterns in ivory-white, green and yellow, 
with decoration in various colors. One wide and four narrow bor- 


ders to harmonize. 
Length, 18 feet; width, 11 feet 4 inches. 


558—Manat Larce Rue 
Yellow field, with conventional tree and flower decoration in blue, 
pink, brown and red. One wide and two narrow borders to 


harmonize. | 
Length, 18 feet; width, 11 feet 10 inches. 


Third and Last Afternoon 


559—Manat Larce Rue 
Ivory-white field, floral and leaf patterns in brown, green, pink, 
yellow and shades of blue. One wide and four narrow borders in 
blue and pink, with floral decoration to correspond. | 
Length, 19 feet 5 inches ; width, 11 feet. 


560—JAPANESE BrocapE PANEL 


Howo bird and dragon medallions interspersed with square and 
diaper patterns, all woven in brilliantly colored silks and gold 


threads. 
Length, 7 feet; width, 3 feet 9 inches. 


= 


561—PaNEL OF JAPANESE EMBROIDERY 


Richly embroidered center and border. With figures, houses, 
flowers and birds in colored silks. Lined with silk brocade. 
Length, 5 feet 5 inches; width, 3 feet 4 inches. 


562—Lrorarp Skin Rue 
With mounted head. 


56383—Ticer Skin Ruc 


With mounted head. 
Length from nose to end of tail, 10 feet 8 inches. 


EVENING SALE 


FRIDAY, FEBRUARY 26, 1915 


AT THE AMERICAN ART GALLERIES 
BEGINNING PROMPTLY AT 8.00 o’cLOCK 


Which includes Catalogue Nos. 564 to 689 © 


OIL PAINTINGS 


S. M. B. 
564—Hicu Brince 


The bridge crosses the picture in the middle distance, a high light 
accenting its tall arches just before the structure passes from 
view behind thick trees of a point of the shore in the foreground 
on the left. The trees are touched with brilliant red. The rip- 
pling river is a mirror of reflections, and a sail is seen near the 


bridge. Beyond is a further point of the shore, thickly wooded. 


Signed at the lower right: S. M. B., ’72. 
Height, 6 inches; width, 4 inches. 


UNKNOWN 
565—On a Cana 


A spontaneous sketch done for the artist’s delight in the color and 
the contrasts of light offered. The location doesn’t count, but it 
seems to be a boat-yard in Venice. An open-ended gray-brown 
shed with a reddish-brown roof houses a boat on ways, and in a 
canal alongside are other boats, this quarter in partial shadow; 
while beyond, the sunlight strikes brightly upon a low white bridge, 
and on buildings that show terra cotta, red and green. 


Height, 7 inches; length, 10 inches. 


Friday Evening Sale, February 26th 


UNKNOWN 
566—LanpscaPE 

Moonlight from a white full moon struggling through white clouds 
and just visible over a wooded hilltop is beginning to lighten a — 
peaceful country landscape. The wooded hill in the center gives 
place on the left to rolling land where thatch-roofed farm build- 
ings stand, and on the right its flank is partly cleared, while at its 
foot in the foreground is a pond with ducks. Apparently a French 
landscape, suggesting those of Michel. 


Height, 51% inches; length, 914 inches, 


UNKNOWN 


567—A CavALiER 
Clad in buff, with scarlet breeches, a bright yellow sash and long- 
legged boots, a jaunty cavalier stands facing the observer and en- 
gaged in the act of lighting a long-stemmed clay pipe and blow- 
ing a lusty cloud of smoke. His hair falls in long curls of ma- 
hogany color to his shoulders, and he wears a broad, loose white 
collar and white cuffs. The walls of the room are of stone, and 
on a long table there is wine. His green hat trimmed with red 


lies on a bench. 
Height, 81%, inches; width, 6 inches. 


ALBERT PINKHAM RYDER, N.A. 


AMERICAN: 1847— 


O seek my father’s courts with me.—TeEnnyson. 


568—TueE Lovers 


Two lovers of an olden time are found at a rendezvous in a thick 
and ancient wood. The man, tall and erect, is facing the specta- 
tor, his head turned toward the lady, who standing at his left ap- 
pears with figure turned three-quarters from the observer and 
face in profile. They are near to the trunk of a large tree with 
far-reaching branches, and the wooer extends his right hand in 
indication of direction—his dog at his feet ready with him to 
start at once—while the lady hesitates, studying her upturned 
palm meditatively, her pet dog on its haunches at hex side, looking 


attentively up at her. 
Height, 101, inches; width, 634, inches. 


Friday Evening Sale, February 26th 


JOHANNES BOSBOOM 
Dourcu: 1817—1892 
569—STREET SCENE 

Through a crooked Old World Street, almost deserted, a peasant 
woman carrying a market basket on her arm and accompanied by 
a small boy is approaching, in the foreground, and another woman’s 
figure is observed at the roadside further away. All are clad in 
dark colors. On the right is a tall building of ecclesiastical as- 
pect, yellow, with a red tower and a gray slate roof, its street 
side in shadow while sunshine touches its higher corners and slants 
upon the red and yellow roofs of low houses on the left of the 
shadowed street. 


Signed at the lower right. 
Height, 13 inches; width, 734 inches 


PHILIP DE KONINCK 
Fiemisu: 1636—1687 
570—DutcH LanpscapE 
Coming straight forward from around a bend in the middle dis- 
tance is a dark green canal, its surface lightened near the center 
by reflections of the sky. Back in the distance rises over it the 
mass of a city’s buildings, dominated by the truncated tower of 
a cathedral, spires and high gables projecting here and there and 
the buildings continuing forward along the canal’s edge on the 
right. Here also passes a man on horseback, towing a boat, the 
line hauling from the masthead; the opposite bank of the canal is 
thickly wooded. To right are low-lying cultivated fields and long- 


armed windmills. 
Height, 8%, inches; length, 15 inches. 


Friday Evening Sale, February 26th 


ANTONIO GARCIA-MENCIA 


SpanisH: Purim or Maprazo 
571—Tue Srvpio 


In the reception corner of an artist’s studio, a prospective sitter, 
a lady in blue, is looking at colored plates from an album of beau- 
ties, and extends a detaining finger toward one picturing a tall 
and slender lady—she herself being short and plump. A lady in 
a plum-colored gown looks over her shoulder, and the quietly 
amused lady showing the pictures is in gray and brown. The fur- 
nishings of the studio display an Oriental fearlessness of strong 
colors. | 


Signed at the lower left: A. Garcta-MENCcIA. 


Height, 101, inches; length, 13% inches. 


S.-M> asi: 
572—StTiLL Lire 


Two yellow roses nestling amongst gray-green leaves are held in 
a slender glass vase, one rose opening to full maturity, the other 
quite blown and drooping slightly below it. On the table at the base 
of the glass lies another of the roses, on a green-leaved stem. Back- 
ground of dark brick-red and green, the glass resting on a darker 
ground of rich notes. 


Signed at the lower right: S. M. v. H. 
Height, 12 inches; width, 10 inches. 


UNKNOWN 
573—Broox Aanp BrincE 


Trees and vines in a mass of greenery rise on the left at the end 
of a short stone bridge, masking its approach and throwing its 
base into shadow. To right delicate young trees sketch a leafy 

' curtain against a light gray sky, along the line of the bridge, high- 
roofed buildings being seen beyond them in bright sunshine. Be- 
neath the bridge runs a brook, at the foot of a steep green bank, 
and on the nearer foreground shore are varicolored boulders. 


Height, 13 inches; width, 11 inches. 


Friday Evening Sale, February 26th 


M. E. COOK 


AMERICAN: 1881— 


5'74—-F LowERs 
A small bouquet of flowers from an old-fashioned garden is pic- 
tured in a bright light, against a reddish-brown and olive back- 
ground. They are white and pink and red and yellow, with the red 
predominating, and sprigs of green are interspersed with them, as 
they rise from and overhang a low, dark-colored, ovoid jar. 


Signed at the lower right: M. E. Coox. 
=| Height, 12 inches; width, 10 inches. 


JEAN-FRANCOIS FARJON 


Frencu: Purpit or Trorvon anv RovussEau 


575—A Sunset: FonrarinEBLEAU 

Two cows watched by a small girl have come to a pool amongst 
moss-covered rocks on the border of a green meadow for an even- 
ing drink. A red cow facing left has her head lowered to the 
water and a white cow stands in the pool looking at the spectator. 
The little girl is clad in red and blue. In the green foreground 
at the water’s edge are spots of red amongst the verdure. On the 
far side of the pool trees with curiously twisted branches and open 
foliage stand as a screen, boldly silhouetted against the golden 
splendor of a brilliant sunset, the sky filled with ight and many- 
tinted clouds. 


Signed at the lower left: F. Fargon. 
Height, 1214, inches; length, 161% inches. 


From the Salon, Paris, 1877. Catalogue No. 819.. 


Friday Evening Sale, February 26th 


FREDERICK DIELMAN, N.A. 


AMERICAN: 1848— 
576—Portrair oF A Lapy 


Standing, and seen at full length against a decorative background 
in low key, a dignified woman in mature life is portrayed in rich, 
effective costume. She faces the observer, turned slightly toward 
the right. Her gown, broadly décolleté, is of rich and voluminous 
purple-gray and greenish-brown velvets, over brownish-gray, elabor- 
ately embroidered brocade, with puffed sleeves slashed in white, and 
shoulderless waist edged with white lace. She carries a silken bag 
and a peacock-feather fan, and wears a broad hat with overhang- 
ing plumes. | 


Signed at the lower right: Frepertck Die_man. 


Height, 161, inches; width, 101%, inches. 


J. M. BIELSFIELD 
577—Moon.LicHtT 


The moon, at the full and bright, is heavily veiled by fleecy clouds. 
The orb is barely distinguishable behind their mass, but its radi- 
ance diffused in their vaporous substance lightens the cloud curtain 
before the deep dark blue sky. The landscape below is dark in 
the shadows of night, streamers of the cloud-vapor hang low over 
wooded hilltops, like fog, and the moon’s light is reflected in a pool 
in the valley below. 


Signed at the lower left: J. M. Brersrrexp. 
Height, 12 inches; length, 16 inches. 


S. M. GILMAN 
578—FLowErs 


Lilies of the valley hang their white bells above pansies, honey- 
suckle and roses, and stand out in relief against their own long 
green leaves, in an informal bouquet held in a blue glass jar. The 
flowers are red, white, pink, blue and a brilliant soft yellow, and 
they overhang bunches of purple grapes relieved against green ivy 
leaves, lying on the mahogany-yellow coverlet of the table. 


Signed at the lower right: S. M. Gitman. 
Height, 1714, inches; width, 14 inches. 


Friday Evening Sale, February 26th 


UNKNOWN 


579—Porrrair Heap 


Against a dark neutral background of deep olive tints, chiefly in 
shadow, the head and shoulders of a young girl appear in a soft- 
ened, mellow light—the flesh surface tones with amber suggestion. 
‘Figure facing the right, and as if in motion, she has turned her 
face to look toward the spectator, her deep eyes and left cheek 
in shadow while the light glows upon the right side of her face, and 
upon the neck and shoulder lightly exposed above robes of deep 


emerald and crimson. 
Height, 18 inches; width, 141% inches. 


JACOP BORG 
Dutcu: 1621—1682 


580—A Dutcu INTERIOR 


A painting of rich and mellow coloring in the opulent manner of 
the ancient Dutch masters, showing one of the inclusive build- 
ings where house and stable were one in the democracy of that age. 
The tones are warm mahogany and olive, and the light is soft and 
none too plentiful. Around are various metal utensils, with spots 
of light gleaming amid surfaces of dark, rich patina. A small fire 
burns on the stone or earth floor. At the right a buxom young 
woman is milking a goat. An old man lays a caressing hand on 
her shoulder and supplicates not without fervency. 


Height, 14 inches; length, 22 inches. 


MISS M. E. COOK 


CoNTEMPORARY 


581—Stitt Lire 
A tall cylindrical vase with crescent neck, decorated in various 
colors with blue and red predominating, stands on a table covered 
with a gray drapery adorned in pink, red and blue. The same 
drapery suspended on a wall forms the background, hanging in 
folds, and a bunch of peacock feathers leans against it behind the 
vase. 


Signed at the lower right: M. EK, Coox, 1880. 
Height, 231, inches; width, 131% inches. 


Friday Evening Sale, February 26th 


RICHARD GROSS 
GERMAN: 1848— 


582—A NvurREMBERG PEASANT | 
Head and shoulders portrait of a robust woman, no longer young, 
in a provincial headdress, obesrved in an interesting light. She is 
gowned in a brownish-black, with her throat loosely wrapped in the 
folds of a brownish-yellow scarf, and is seen against a dark neutral 


background. 


Signed at the upper left. 
Height, 21 inches; width, 17 inches. 


FANNY ELIOT GIFFORD 
AMERICAN: 1844— 
583—Birps 
The observer, creeping low or being slowly paddled in a boat, is 
brought close to tall reeds which rise above the eye’s level, on the 
left, while above a shorter batch of coarse brown grasses on the 
right a glimpse of distant blue water is obtained, just at the hori- 
zon, under a robin’s-egg green sky. Perched upon or fluttering 
from the tall reeds are four brightly plumed birds. 


Signed at the lower right: Fanny Exior Girrorp, 1878. 
Height, 23 inches; width, 8 inches. 


J. E. BAKER 
584— PEONIES 
On a dark red table or mantel a yellow vase holding peonies stands 
out in full hight before a yellow-olive wall. It is a full-necked, 
globular bottle-shaped vase, with lip slightly spreading, and on the 
neck are protuberant handles with suspended rings, while its hinted 
decoration is green and dark brown. It holds a full-blown cream- 
white peony, and two pink buds on long green-leaved stems. 


Height, 21 inches; width, 1214 inches. 


Friday Evening Sale, February 26th 


WILLIAM ZWORT 


Dutcu: Puri or Jacosp Maris 


585—Heap or BuLiock 
The head of a bullock, painted large and close at hand, the animal 
- gazing steadfastly into the spectator’s eye. Its head is projected 
from the right, and turned almost full front, and it has a black 
face and brown forehead, heavily marked with white, and red ears 
spreading below gray and black short horns. The background 
above is dark, and there are faint suggestions of landscape glimpsed 
below the animal’s throat. 


Signed at the lower right: Wm. Zwort, ’80. 
Height, 2034 inches; width, 1314 inches. 


HERBERT L. GILCHRIST 


586—Erruscan Porrery 

A sculptured frieze resting on a tiled floor is the background for 
the display of three pieces of pottery, a large tazza, a two-han- 
dled cup and a larger basin or deep round dish which also has two 
handles, the first piece standing on its foot and the others set on 
side or edge. Their colors are copper-brown, olive-yellow and red, 
and the tiling is mottled green, yellow and brown. The classical 
frieze, in which three girls appear in ceremonial procession, is in 
the warm yellow hue of antique marble. 

Height, 18 inches; length, 20 inches. 


EASTMAN JOHNSON, N.A. 
AMERICAN: 1824—1906 
587—-ConsvEto (Monotone) 
A young woman of serious mien and dignity of carriage stands 
facing front and looking steadily into the distance to her left, as 
though she had reached an interval between stanzas in singing, 
and she holds some sheets of music drooping from one of her hands, 
which hang crossed at the wrists in front of her. The light falls 
broadly upon one side of her well modeled head, the opposite side 
of her face being in shadow. She wears a loosely built gown of 
black and a black mantilla, and is seen at three-quarter length 
against a dark background. 


Signed at the lower right: E. Jounson, 1876. 
Height, 26 inches; width, 18 inches. 


Friday Evening Sale, February 26th 
ANTONIO GARCIA-MENCIA 
SpanisH: Pupit oF Maprazo 


588—ToILETTE DE LA MaRIEE 


In an artistically arranged room with French gray and gilt walls, 


decorated with landscape panels, a bride is receiving the final at-— 


tentions of solicitous dressers, surveying herself in the mirror the 
while. Her rounded features are revealed through her diaphanous 
veil, her white satin gown is flower-decked, a brunette in blue-black 
is adjusting a flower and a blonde in brilliant green is buttoning 
the bride’s glove, while a hatted lady in black and gray looks on. 
Signed at the lower left: A. Garcta-MENcrA, : 
Height, 20 inches; length, 24 inches. 


CARLO MARATTI 
Iratian: 1625—1713 
589—TnHeE Hory Famity 
The Christ child is held in the Mother’s arms over a straw-lined 
manger, a brilliant light directed upon the two figures, or rather 


seeming to emanate from the Child, while St. Joseph looks down 
over the Mother’s shoulder and a half-nude shepherd kneels in 


adoration at the right, a lamb for sacrifice lying with bound feet — 


upturned on the floor in front of him. Back of him a green-clad 
shepherd screens his eyes from the glorious radiance and a young 
woman in blue, white and red clasps her hands devoutly. The 
Virgin is in a rose-pink garment enclosed by a blue cloak. 


Height, 20 inches; length, 261, inches. 
From the Academy of Santa Luca at Rome. 


MISS M. K. BAKER 


AMERICAN: CONTEMPORARY 
590—A Strupy or FLoweErs 


A red amphora holding white and yellow chrysanthemum-like 
flowers stands on a green-covered table before a drapery back- 
ground of brilliant yellow, lightly shaded in the folds. Back of the 
vase, growing in an earthenware flower-pot which sets on a tile, 
is a tall plant of the aster family, with leaves of delicate light green 
and a towering cluster of deep red blossoms. 
Signed at the lower left: M. K. Baxgrr, 1878. 
Height, 36 inches; width, 15 inches. 


Friday Evening Sale, February 26th 


JOHN G. BROWN, N.A. 
AMERICAN: 1831—1913 


591—““Now weE ARE OFF!’’ 


Some children on a beach on a warm summer day have got upon 
part of an old sleigh—the fore runners of a two-horse bob-sleigh 
—lying at the edge of a field, and are playing at having a ride. 
Two little girls and a smaller infant are seated and an older boy 
is standing on it, while another boy at one side raises a whip. The 
children are in pink and yellow, red and brown, with sunbonnet, 
parasol and straw hat, and are observed against the sunlight. 
The water of the bay beyond them is blue, and up the sands are 
some men about a boat. 


Signed at the lower right: J. G. Brown, N.A., N. Y., 1876. 
Height, 20 inches; length, 30 inches. 


EVA BONNIER 
592—Muvsic 


In a room lighted only by candles and a grate fire three people are 
giving themselves over to the spell of music. A bearded man is seen 
in profile to the left, against a dark wall, his hands extended over 
the ivory keys, playing, his rapt face lighted by the candles il- 
lumining the music sheets. A man in an armchair is in the shadows 
at the right, and a seated young woman leans with elbow on knee 
gazing into the grate on the left. 


Signed at the lower right: Eva Bonnier, 1884. 
Height, 251, inches; length, 82 inches, 
Shown at the World’s Columbian Exhibition, 1893. 


FERDINAND SCHUCHARDT, Jr. 
AMERICAN: 1855— 
593—CHILDHOOD 
Three-quarter length portrait of a fair-haired young girl, stand- 
ing figure turned slightly toward the right and face to the front. 
Her head is inclined with modest coyness toward her right shoulder, 
the light from above playing upon the left side of her rosy face and 
touching the wavy hair over her brow with gold. 


Signed at the lower left: F. Scuucwarpr, gr., 1876. 
Height, 30 inches; width, 22 inches. 


Friday Evening Sale, February 26th 


ADOLPHE PIERRE HUAS 


FreNcH: CONTEMPORARY 


594— PREMIERE CoQUETTERIE 

In the corner of a studio of luxurious aspect, the walls in rich, 
dark notes, a young girl budding into womanhood is posing before 
a cheval glass, studying with smiling admiration the effect she 
could produce if clad in the fine gowns of her elders. She holds 
up about her in graceful drapery a full-train skirt of glowing 
golden-yellow silk, on which and on her face and white lace waist 
a strong light is concentrated. Her own apparel, besides the white 
waist, is red, green, and blue, and she stands on a bright-colored 
rug. Various studio fixtures are visible directly or in the mirror. 


Signed at the lower left: A. Pierre Hvas, 1874. 
Height, 351, inches; width, 22 inches. 


WATER COLORS AND PASTELS 


PROFESSOR W. BURKNER 


GERMAN: CONTEMPORARY 


595—Two CuHILpREN AND MoTHER 
(Water color.) 
In bright sunlight coming through a window at the left and flooding 
a neat, plainly-furnished room, are a young mother and her two 
small daughters. The mother, in an old-rose gown, is reading, 
and one child in pale Delft blue holds up a green-dressed doll 
toward her, while the second little girl, somewhat older, clad in 
green darker than the doll’s dress, is at work on her slate. 


Signed at the lower right: W. Birxner, 1866. i 
Height, 6 inches; width, 4 inches. 


Friday Evening Sale, February 26th 


GEORGE HENRY SMILLIE, N.A. 


AMERICAN: 1840— 


596—At Montrost, Sus@auEHANNA County, PENNSYLVANIA 
(Water color.) 

From high land, the edge of a cliff or bluff, in the foreground, 

- overhung by wavering branches of slender trees, the spectator over- 
looks a valley and the beginnings of many other valleys and hol- 
lows among innumerable hills. The sloping fields are green, and 
gray buildings are to be seen here and there, and the hills or moun- 
tains are partly cleared, partly wooded. On the right in the fore- 
ground a woman is seated on the bended trunk of one of the trees. 


Signed at the lower right: Gro. H. Smituig, 774, 
| Height, 7 inches; width, 7 inches. 


J. FRANK CURRIER 
AMERICAN: 18438—1909 


597—LanDscaPE 
( Pastel. ) 
In dim light and seen against a darkening gray sky a group of 
village dwellings, with occasional trees amongst them, are massed 
on irregular rising land beyond a dark green field. The field is 
cut by a brook, and on the right a road crosses it, leading to the 
houses. The whole in low, neutral tones. 


Signed at the lower right: Currier. 
Height, 71, inches; length, 1414 inches. 


H. STACQUET 


598— WINTER 
(Water color.) 
Winter speaks from the skies as well as from the earth. A long 
narrow street coming straight through the center of the composi- 
tion is deep with snow, a hill on one side, a large red building on 
the other. Coming down the road, in the foreground, a woman is 
walking slowly through the snow. 


Signed at the lower left: H. Sracquer, 76. 
Height, 81, inches; width, 514 inches. 


Friday Evening Sale, February 26th 


UNKNOWN 4 
599—ConTENTMENT . 


(Water color.) 


‘An end of an humble European cottage room, full of color, is 
sympathetically pictured by an understanding admirer. ‘The yel- 
lowed, gray and smoky plaster is nicked, near a paneled door, from a 
the red brick wall. Aloft are heavy gray beams; in a brown rack 4 
and on the floor are decorated plates and household utensils. At 
the left, against a background of tile with green, blue and aubergine 
notes, a young peasant woman in blue, plum-color and brown, with 
a red cap, is knitting with contented expression beside a brown 


table. . 
Height, 8 inches; length, 11 inches. 


HENRY FARRER 
AMERICAN: 1843—1903 


600—Sanp Creek, Lone Istanp 


(Water color.) 


The blue waters of a broad creek: ripple in the brilliant light of a 
full moon, which the spectator views dead ahead and not yet risen 
far above a range of low hills. Projecting from the right near 
the center of the stream is a broad sand-spit, and nearer the fore- 
ground is a sloop with canvas up. | 


Signed at the lower left: H. Farrer, 1873. 
Height, 81, inches; length, 12 inches. 


J. FRANK CURRIER 
AMERICAN: 1848—1909 


601—Evenine LANDSCAPE. 
(Pastel. ) 


Broad fields in dark indefiniteness spread far, their surface some- 
what rolling and the irregularities picked out by reflections from 
the concealed moon. ‘Toward the left are two houses—black 
shadows—a light gleaming from each, and on the right is a line 
of trees. Bounding the plain a distant circle of hills are blue in 
the moonlight, which touches a spot in the fields also just beyond 
the line of trees. 
Signed at the lower left: Currier, ’81. 
Height, 81% inches; length, 14 inches. 


Friday Evening Sale, February 26th 


JULES LESSORE 
EncuiisH: NINETEENTH CENTURY 
602—A CaTHEDRAL 
(Water color.) 


Looming high in the center of the composition, under a blue and 
white sky, is the fagade of a noble churchly pile, gray and cream- 
colored, with two uncompleted towers. Closely massed at either 
side are city buildings, red, yellow and gray-white, and in the plaza 
in front as well as on the broad steps are many people. 


Signed at the lower right: Jutxs Lexssore. 
Height, 914 inches; width, 6°, inches. 


J. C. NICOLL, N.A. 


AMERICAN: 1845— 


603—LanpscarE Stupy FRoM NATURE 


(Water color.) 


On the right in the distance a gray farmhouse is dimly seen on a 
light green knoll. Across the middle distance runs a screen of 
wildwood in the colorful hues of autumn. In front of it the faded 
green of the surface grasses is thickly studded with brown, and a 
small brooklet crosses the foreground. 


Signed at the lower right: J. C. Nicoxu. 
‘ Height, 9 inches; length, 131 inches. 


JULES LESSORE 


EncuisH: NINETEENTH CENTURY 


604—Low TipE in THE RIvER 
(Water color.) 


On a bright day with masses of white clouds in a blue sky, a broad 
tidal river is pictured, almost the color of the sky with its lumin- 
ous reflections. ‘The tide is out, and the receding stream has left 
a black-hulled sailboat with green stern on the soft bottom in the 
foreground at the left, her tender lying under the counter. Other 
boats are near, and in the distance a bridge crosses the river, in 
front of the massed buildings of a city. 


Signed at the lower left: Jutes Lxessore. 
Height, 101, inches; width, 7, inches. 


Friday Evening Sale, February 26th 


HENRY FARRER 
AMERICAN: 1843—1903 


605—Tue Hovust on THE Hiww 


(Water color.) 
On the crown of a broad, rounding hill of easy slope, a gray farm- 
house with long slanting roof stands solitary against the sky, at 
the approach of evening. Smoke issues from one of its two red 
chimneys, and bare trees around it tell the season of the year, 
though the grass is still green. The hillside is dotted with gray 
rocks. 


Signed at the lower left: H. Farrer, 1875. 
Height, 101, inches; length, 161, inches. 


S. G. McCUTCHEON 
ConTEMPORARY 
606—TreEEs anp FLOWERS 
(Water color.) 
In the foreground in the sunlight tall-stemmed flowers in a garden 
allowed to grow wild raise their red and violet blossoms above a 
tangle of green and yellow leaves. Beyond them a group of or- 
chard trees are in full foliage, its deep green mass all but shutting 
out the sky. 


Signed at the lower left: S. G. McCurcueon. 
Height, 11144 inches; width, 714 inches. 


HENRY MUHRMAN 


AMERICAN: 1854— 


607—LanpscarEe: View or HicHcate 
( Pastel. ) 
Two trees, one at either side, with dark trunks and but slight 
foliage, intertwine their branches overhead and form a frame or 
arch through which the eye travels to a green and wooded land- 
scape of low field and high hill, with suggested buildings. The 
field is sunny and a blue sky is all but covered by gray-white clouds. 
Signed at the lower left: H. Munrman, 1889. 
Height, 11 inches; width, 814% inches, 
Awarded Medal, World’s Columbian Exposition, 1893. 


Friday Evening Sale, February 26th 


HENRY FARRER 
AMERICAN: 1843—1903 


608—Cuaneine Licuts 
(Water color.) 
The end of a pond is enclosed by low hills which slope from either 
‘side, and beyond their junction a higher hill forms the horizon. 
At the left a gray farmhouse stands between leafless trees, its 
shadow thrown upon the water by the afterglow of sunset which 
tinges the sky below a white crescent moon. It is late fall and the 
air is chill, and an evening mist in the valleys contributes to the 
effect of the luni-solar light. 


Signed at the lower left: H. Farrer, 1875. 
Height, 11 inches; length, 17 inches. 


MODERN SPANISH SCHOOL 


609—Music anp tHE Dance 
(Water color on satin—Lunette) 
On a lunette background of red satin is a decorative painting in 
water color picturing a Spanish scene in a garden of gaily blossom- 
ing flowers. On the left a man in blue and gold plays the guitar, 
in accompaniment with a woman in brilliant yellow skirt who pos- 
tures and sounds the castanets for the benefit of a lady clad in 
bright colors who is seated on a bench at the right. 


Height, 1114 inches; length, 241, inches. 


A. WYLIE 


610—F Lowers 
(Water color.) 
In a low, brown copper pot with a side loop handle, is a flashing 
bouquet of flowers from a garden of the old country style—as many 
flowers as it will hold, white, pink, yellow, with intervening green 
leaves—marigolds nodding at one side—the whole in brilliant light. 


Signed at the lower right: Wrutez, 76. 
Height, 13 inches; length, 15 inches. 


Friday Evening Sale, February 26th 


HENRY MUHRMAN 
AMERICAN: 1854— 
611—LanpscaPE 


(Pastel. ) 


Huge trees of the English country shade the foreground, standing 
on the near side of a transverse wooden fence. Their wide-spread- 
ing, almost horizontal, branches interweave, forming a flat arch 
against the sky, and beneath it the eye ranges to a sunny green field 
where red cows graze. On its farther side are woods and houses. 


Signed at the lower left: H. Munrman, 1890. 
Height, 13 inches; length, 32 inches. 


M. L. STONE 
612—CHILDREN 


(Water color.) 


In a plain room with gray walls, in brilliant daylight, two little 
girls are amusing themselves. One in black with a red‘hood is sit- 
ing in a rush-bottomed chair, “weighing things” in a pair of bal- 
ances, her sister in mauve and gray, with yellow tousled hair, stand- 
ing at her knee watching with deep interest. 


Signed at the lower left: M. L. Stone, Paris, 1877. 
Height, 14 inches; width, 10 inches. 


P. H. NEFFLEN 


613—Mornine Drivinc AWAY THE SHADES oF NIGHT 


(Water color.) 


Projecting from the background at the center, a rocky, tree-cov- 
ered promontory rises out of the picture, distant woods to left of 
it being dark under the mantle of night, while far at the right the 
horizon displays a rosy aurora. Sprites in the guise of lightly 
draped young women floating airily through space just clear of 
a water lily pond in the foreground form a continuous procession 
passing the promontory, those in the light pressing’ back those 
on the darker side of the point. 


Signed at the lower right: P. H. NErrien, 
: ata Height, 1414 inches; length, 21 inches. 


Friday Evening Sale, February 26th 


HENRY FARRER 
AMERICAN: 1843—19038 
614—MoonrisE 
(Water color.) 


_ The waters of a broad harbor, in slight motion, fill the picture, sil- 
vered by the light of the full moon which is rising over a bank 
of mist straight ahead that conceals the land. In the bright path- 
way of the light a dark-hulled side-wheeled steamer, rigged with 
masts and yards, is lying head-on, and farther away on either side 
various sailing boats are under way, veiled in the vaporous mist. 


Signed at the lower left: H. Farrer, 1875. 
Height, 1414 inches; length, 21%, inches. 


HENRY FARRER 
AMERICAN: 1843—1903 
615—SuNsET 
(Water color.) 


Water wavering gently in a light breeze stretches from the fore- 
ground to the far distance on the left, and on the right to what 
is probably the low Long Island shore, already dimmed in the ap- 
proach of evening. The sky is a mass of red and yellow sunset 
lights, crossed by strata of dark blue cloud, its glow reflected in 
the water. In the middle distance a sailboat is headed shoreward. 


Signed at the lower left: H. Farrer, 1875. 
Height, 1414 inches; length, 2214, inches. 


WILLIAM MAGRATH, N.A. 


AMERICAN: 1838— 


616—GRANDFATHER’S PRIDE 
(Water color.) 


A corner of an Irish peasant’s cottage projects into view from the 
right, its walls gray-white under a brown-thatched roof tinged 
with yellow-green. In the open doorway a young woman stands 
with her knitting in hand. Her small son has come out to meet 
the grandfather (and receive an apple). The old man is bent, and, 
leaning on a stick, rests an affectionate hand on the boy’s head. 


Signed at the lower right: W. Macratn, 1875. 
Height, 16 inches; width, 12 inches. 


Friday Evening Sale, February 26th 


WILLIAM MAGRATH, N.A. 


AMERICAN: 1838— 


617—Gor1ne For WATER 
(Water color.) 
Coming down a gentle incline, in a rambling sandy path through 
the flower-dotted fresh green grass of a wild field, a bright-eyed 
young peasant woman of the Emerald Isle is on her way to well 
or stream for water. She is bare-footed and bare-armed. A white 
kerchief is tied over her dark waist, and her skirts and apron show 
a light, tender blue, reddish-brown, gray and a deep, opulent blue. 


Signed at the lower right: W. Macrarn, 1875. 
Height, 16 inches; width, 1214, inches. 


JOHN THORPE 
CoNTEMPORARY 
618—CaTTLE 
(Water color.) | 
A flat meadow, yellow-green in the sunlight, is bounded in the dis- 
tance by low hills under a gray sky, and there are suggestions of 
habitations. The broad land holds numerous cattle, and in the 
foreground a group of ten of them—red, black and dun cows—are 
seen close at hand in a group, one standing, the others lying down 
in various attitudes, their shadows spotting the grass. 


Signed at the lower right: Jno. Tuorre, 1876. 
Height, 15 inches; length, 22 inches. 


J. FRANK CURRIER 
AMERICAN: 1843—1809 
619—Bavarian TREES 
(Water color.) 
On a green ridge crossing the vision and receding toward the left 
distance two separate groups of trees attracted the artist’s eye. 
The nearer group on the right displays its wandering limbs in their 
dark ramifications, while the farther trees merge their foliage. <A 
pond in front of the groups is filled with reflections. 


Signed at the lower right: J. Franx Currier, Potina, Bayern, 1878. 


Height, 18 inches; width, 121% inches. 


Friday Evening Sale, February 26th 


WILLIAM MAGRATH, N.A. 
AMERICAN: 18388— 
620—A Gatway GIRL 
(Water color.) 


And glad of it she seems to be. A look in her blue eyes says as 
much, with a flash for who dares flout Galway. She is seen head 
and shoulders, in profile to the left, her face turned to eye the ob- 
server. Her cheeks are rosy, her eye-brows dark, her dark wavy 
hair is bound in a blue kerchief, and she is gowned in a robe of 
many colors and seen against a background of brilliant yellow. 


Signed at the upper right: W. Macratu, 1876. 
Height, 18 inches; width, 14 inches. 


THOMAS WATERMAN WOOD, N.A. 
AMERICAN: 1823—1903 


621—“*“WHITEWASHING DONE HERE” 


(Water color.) 


A note of a passing if not vanished day. In a strong light, against 
the background of a dark brown stone wall, with steps seen at the 
right, a tall negro with a mass of whitening hair brushed out over 
his ears is standing beside his pail of whitewash, his long-handled 
brush resting against his shoulder. He is in white overalls over 
a red shirt, and holds in his hands his old felt hat and a gaily 


colored bandana. 
Height, 1934 inches; width, 138°, inches. 


THOMAS WATERMAN WOOD, N.A. 
AMERICAN: 1823—1903 
622—“Snine, Sir?’’ 
(Water color.) 


A chin-bearded immigrant in a red shirt and open blue blouse, 
brown trousers tucked into his boots and a blanket-wrapped bun- 
dle of his belongings burdening his back, is emerging from a ferry 
house, carrying also a small gray trunk. Three of the small New 
York bootblacks of the pre-Italian days compete vigorously for 
an order to shine the boots! 


Signed at the lower left: T. W. Woop, 1876. 
Height, 1984 inches; width, 1334 inches. 


Friday Evening Sale, February 26th 


FRANCIS HOPKINSON SMITH 


AMERICAN: 1838— 


623—TuHeE OvutTLeT or LonNEsoME LAKE 


(Water color.) 


Lonesome perhaps but handsome withal, this watery retreat in a 
coniferous forest. The end of the lake, occupying the foreground, 
narrows abruptly, marked by lily-pads, grasses and the reflections 
of feathery pale-green trees, to the blue outlet in the middle dis- 
tance, silvered with sunlight, beyond which a regiment of pines 
looms against a rolling sky. 


Signed at the lower left: F. Horxinson Situ, 775. 


Height, 19 inches; length, 29 inches. 


SAMUEL COLMAN, N.A. 
AMERICAN: 1832— 
624—On THE TIBER 
(Water color.) 


Spaciousness of vast extent is pictured under a living sky, with 
color, color everywhere. The air is clear to the nearer vision, while 
even in the middle distance a soft, colorful haze draws a misty 
veil across the beyond. The storied river, filling the foreground, 
is a flat, terrestrial rainbow of multitudinous reflections and re- 
fractions, barges move slowly through it, people are seen in the 
sunlight on a bank and bridge, and the monumental buildings of 
the Eternal City mass at either hand. 


Signed at the lower left: Samvuret Cotman, 1876. 
Height, 21 inches; length, 80 inches, 


Friday Evening Sale, February 26th 


WILLIAM TROST RICHARDS, N.A. 

‘ AMERICAN: 1833—1905 

625—Rocxy Buvurr 
(Water color.) 


On the left is a deep blue sea, with a sailing vessel afar off, sil- 
houetted against a light horizon belt under a dark sky. In the 
middle distance the shore rises abruptly, sweeping inland to the 
right in a huge rocky bluff, gray, white, and with a thin covering 
of green, the land at the foot of the declivity being a fertile green 
valley through which a stream courses, passing behind some color- 
ful foreground rocks on its way to the sea. 


Signed at the lower left: Wm. T. Ricwarps, 1876. 
Height, 221, inches; length, 3634 inches. 


| M. BAUER 
626—Cuurcnu INTERIOR 

(Water color.) 
The spacious interior of an ecclesiastical edifice of noble propor- 
tions is presented in color whose quality of essential iridescence 
detracts not at all from its deep solemnity. Majestic columns with 
carven effigies, tall windows, domes, canopied thrones, all partake in 
the rich, subdued colors—grayish-brown, purple, crimson, green, 
and variations on yellow—and veiling all is the atmosphere of 
mysticism, enveloping also a throng of worshippers scarcely defined. 


Signed at the lower left: M. Bauer. 
Height, 24 inches; width, 21 inches. 


Friday Evening Sale, February 26th 


FRANCIS HOPKINSON SMITH 


AMERICAN: 1838— 


627—Ovt or THE Coot Woops 
(Water color.) 
Out of woods resembling portions of the Adirondacks, their back- 
ground depths a greenish-blue, the middle-ground open but filled 
with flourishing underbrush, comes a brook which. spreads itself 
thin over broadly shelving rocks and tumbles in light falls into 
the foreground. The rocky shelves and ledges are gray and rusty- 
brown, with green mossy sides, and slender leaning trees arch over 
them. 


Signed at the lower left: FHS, ’75 in monogram. : 
Height, 27 inches; width, 20 inches. 


ORIGINAL DRAWINGS 


MATTHEW MARIS 
DoutrcH: 18389— 


628—-REMORSE 
(Pen and Ink Drawing.) 
Lying prone in utter dejection, or abasement, a woman of volup- 
tuous figure is found in dimly lighted precints, weeping or suppli- 
cating. She is in loose, diaphanous garments, her hair is thrown 
loose, and she has prostrated herself on some low steps, perhaps 
leading to an altar or shrine, her head toward the left. 


Signed, and dated 1867. 
Height, 51% inches; length, 74%, inches. 


Friday Evening Sale, February 26th 


FRANK MURA 
AMERICAN: 1860— 
629—A Fisuine VILLAGE 
(Charcoal Drawing.) 


- Low on the sands at the very water’s edge is a Dutch fishing village, 

_ the cottages with long slanting roofs reaching down the center of 
vision toward the distance, and many sailing boats drawn up in 
front of them on the left. In the foreground are figures on the 
beach, one a woman carrying pails on a neck-yoke, and at the 
right are suggestions of dunes. 


Signed at the lower right: Mura. 
Height, 91% inches; length, 1714 inches. 


FRANK MURA 
AMERICAN: 1860— 
630—Fisuer Giri 
(Charcoal Drawing.) 


A young woman in sabots and Dutch cap, and wearing a cape, has 
come down to the seashore just after a boat has come in and un- 
loaded its catch. She stands facing the right, with a quiet dig- 
nity of carriage, examining a fine fish which she has picked up 
from a basket on the sands. A little distant is a boat, with figures 
in and near it. 


Signed at the lower left: Mura, 
. Height, 1514 inches; width, 101% inches. 


F. S. CHURCH, N.A. 
AMERICAN: 1842— 
631—A Wriypy Day 
(Black and White. ) 


On the left a broad body of water, on the right a bank of its shore, 
and on the beach, approaching the spectator, in the foreground, 
a young girl of attractive features, bare-armed and bare-footed. 
Her head is bound in a kerchief, her hair beneath it flying in the 
wind, which bends to its will also the bushes growing at the crest of 
the bank. 


Signed at the lower right: F. S. Cuurcn, 1881. 
Height, 111% inches; length, 24 inches. 


Friday Evening Sale, February 26th 


FRANK MURA 
| AMERICAN: 1860— 
632—Tue Boatman 
(Charcoal Drawing.) 


Far up an inlet, where it is narrow and shallow, a man in a boat 
is seen against a hummocky bank where bushes grow. He is in 
the bow, looking intently down, perhaps after crabs or boat. On 
the left, near some trees, a woman is walking away. 


Signed at the lower left: Mura. 
Height, 1014 inches; length, 181%, inches. 


J. FRANK CURRIER 
AMERICAN: 1843—1909 


633— Popiars 
(Charcoal Drawing.) 


A sketch of a short line of tall and very slender poplar trees, char- 
acteristic of France, which grow on a bank in the middleground. 
Behind them is a cottage, and in front the shadows are reflected 
from a stream. ? 


Signed at the lower left, J. Frank Currier, ’81. 
Height, 23 inches; width, 151, inches. 


FRANK MURA 
AMERICAN: 1860— 
634—InpusTRY | 
(Charcoal Drawing.) 


Two little Dutch girls early habited to industry make a pretty pic- 
ture of placid contentment and prematurely sober interest in the 
inevitable problems of life, beginning the work of knitting. Both 
are capped and both wear short-sleeved frocks. One seated facing 
the observer is laboriously making the stitch, while her but little 
older sister, standing at her side and seen in profile, solicitously 
touches her fingers, to guide if necessary. 


Height, 21 inches; width, 18 inches. 


Friday Evening Sale, February 26th 


J. FRANK CURRIER 
AMERICAN: 18438—1909 


635—WIi.Luiows BY THE RIveR 
| (Black and White.) 
Great willows line a willow bank, the thick trunks branching low, 
’ and the line receding from close in the foreground on the left 
toward the right distance. The shore on which they stand is low, 
and the land uneven, and beyond them is the broad, smooth river, 
whose farther shore comes distantly into view. 


Signed at the lower right: J. Franx Currier, 81. 


Height, 281, inches; length, 311, inches. 


FRAMED PHOTOGRAPHS AND CARBON PRINTS 


636—Two Cotorep LirHocrarHs anv ‘T'wo CoLorep ENcRAVINGS 
Two Study Heads of Saints. Colored lithographs by Julien. In 
gilt frames. T'wo Country Girls.  (‘‘Réve au bonheur,” after 
Beaume; “Le Lys dans la vallée,” after André.) Colored engrav- 
ings by H. Garnier. In white and gold frames and mats. (4.) 


637—Six Carson Prints 
The Angelus, The Potato-gatherers, and four others. About 12 by 
16 inches, after charcoal drawings by J. F. Millet. Framed, with 
margins in polished oak and black. (6.) 


638—Six CarsBon Prints 
The Diggers, The Goatherd, and four others. About 12 by 16 
inches. After charcoal drawings by J. F. Millet. Framed, with 
margins in polished oak and black. (6.) 


639—Five Carzpon Prints 
The New-born Lamb, The Churner, and three others. About 12 
by 16 inches. After charcoal drawings by J. F. Millet. Framed, 
with margins in polished oak and black. (5.) 


Friday Evenng Sale, February 26th 


640—Two Prints AND A PHOTOGRAPH 


Rubens’s wife and Two Children. After P. P. Rubens. Carbon 
print. Height, 1714 inches; width, 13 inches. Framed, with margin 
in imitation ebony. Dance in Arcadia. After Corot. Photo- 
graph. Height, 7 inches; width, 834 inches. Framed, without 
margin, in 1144 in mahogany. Vestal Virgin. After A. Kauff- 
mann. Framed, with margin, in imitation mahogany and gold. 


(3.) 


641—Two Carzson Prints 
Orpheus. By Corot. Height, 20144 inches; width, 14 inches. 
Framed, without margin, in English oak, with a tinted glass. 
Head of a Young Lady. By J. H. Fragonard. Height, 1714 
inches; width, 14 inches. Framed, with margin, in imitation 
ebony. (2.) 


642—Carson PRINT 


Head of a Girl. After G. B. Greuze. Height, 1414 inches; width, 
1114 inches. Framed, without margin, in bronzed chestnut. 


6483—-CarBon PRINT 


Prince James. After A. van Dyck. About—height, 18 inches; 
width, 14 inches. Framed in Dutch oak and gilt, without margin. 


@ 
644—THREE Carson PRINTS 


Hark! the Lark. After J. F. Millet. Height, 18 inches, width, 
13 inches. Framed, without margin, in chestnut gilt. Dutch In- 
terior. After Pieter de Hooghe. Height, 17 inches; width, 14 
inches. Framed, without margin, in antique oak. Dutch Court- 
yard. By the same. Height, 1644 inches; width, 14 inches. 


Framed, with a mat in imitation ebony. (3.) 


645—Two CarzBon Prints 
Mrs. Siddons. After Joshua Reynolds. The Tailor Tagliapanni. 
After Giambattista Moroni. About—height, 18 inches; width, 14 
inches. Framed, without margins, in chestnut gilt. 


Friday Evening Sale, February 26th 


646—Two Carzon Prints | 
Portrait of Rembrandt. 1640: National Gallery, London. Por- 
trait of a Slav Prince, 1637: Hermitage at St. Petersburg. Both 
after Rembrandt. About—height, 18 inches; width, 14 inches. 
Framed, without margins, in English oak and gilt. | (2.) 


647—PuotrocraruH From Fresco Parntine sy Grorro 
Portrait of Dante Alightert. From Giotto’s fresco-painting ‘‘In- 
ferno and Paradise,” in the Bargello (now Museo Nazionale). 
Height, 19 inches; width, 1314 inches. Framed in antique oak and 
bronze. 


648—Two Carson Prints 
Portraits of a Gentleman and of a Lady of the van Beresteyn- 
Vucht Family. ‘Three-quarter length, standing. Painted by Rem- 
brandt in 1632. The originals in the possession of Mrs. H. O. 
Havemeyer. Height, 21 inches, width, 16 inches. Framed, with- 
out margin, in ebony gilt. 2) 


649—Carzson Print 
Prince Charles by A. van Dyck. Height, 20 inches; width, 1514 
inches. Framed, without margin, in Dutch oak and gilt. 


650—Carzon Print 
The Wedding at Cana. By Paolo Veronese. Height, 171 inches; 
width, 3814 inches. Framed, without margin, in antique oak and 
bronze ornament. 


651—Two Carson PRrInTs 


Aesopus; Menippus. Both by Velasquez. Height, 2914 inches; 
width, 1434 inches. Framed, without margin, in antique oak and 
bronze. 25) 


652—CarzBon Print 
On the Canal. By Corot. Height, 29 inches; width, 24 inches. 
Framed, without margin, in Dutch oak and gilt front. 


Friday Evening Sale, February 26th 


653—Carson PRINT 


Lago di Como. By Corot. Height, 21 inches; width, 291% inches. 
Framed, without margin, in Dutch oak with gilt front. 


654—Carson Print 
Children of Charles I. By A. van Dyck. Height, 23; width, 2614 


inches. Framed in antique oak. 


655—Two PHOTOGRAPHS 


Lichfield Cathedral; Ruins of Tinturn Aeven Photographs by 
Hegger. Height, 2214 inches; width, 1614 inches. Both framed, 
without margins, in imitation ebony and gold. hs 


656—PHoTOGRAPH 


Amiens Cathedral. Photographic enlargement by Hegger. Height, 
4514 inches; width 83814 inches. Framed, without margin, in 
Dutch oak and gilt. 


657—PHoOTOGRAPH 


Arches in the Alcazar, Seville, Spain. Photographic enlargement 
by Hegger. Height, 4514 inches; width, 3314 inches. Framed, 
without margin, in English oak. 


658—PHoTOGRAPH 


Belfry of the Mosque in Cordoba, Spain. Photographic enlarge- 
ment by Hegger. Height, 4514 inches; width, 338144 inches. 
Framed, without margin, in English oak. 


659—PHoTOGRAPH 


Choir of San Giovanni in Laterano, Rome. Photographic enlarge- 
ment by Hegger. Height, 3314 inches; width, 4514 inches. Framed, 
without margin, in black with gilt. 


660—PHoTOGRAPH 


Glasgow University. Photographic enlargement by Hegger. 
Height, 3314 inches, width, 4514 inches. Framed, without mar- 
gin, in English oak and gilt. 


Friday Evening Sale, February 26th 


661—PHoToGRAPH 


Interior of St. Peter’s, Rome. Photographic enlargement by Heg- 
ger. Height, 4434 inches; width, 3014 inches. Framed, without 
margin, in black and gold. 


662—PHoTOGRAPH 

_ Bartolommeo Colleoni. The equestrian bronze statue of heroic size 
by Andrea del Verrocchio, erected on the church square of San 
Giovanni in Venice. Photographic enlargement by Hegger. 


Height, 3314 inches; width, 4584 inches. Framed, without mar- 
gin in Dutch oak with gilt front. 


Bee aaroenirn 


Durham Cathedral. Photographic enlargement by Hegger. 
Height, 3314 inches; width, 4514 inches. Framed, without mar- 
gin, in English oak and gilt front. 


664—TwentTy-onE LITHOGRAPHS IN CoLoRs 


The Cathedral of San Marco, Venice. Twenty-one lithographs in 
colors carefully printed, forming an imposing view of this great 
architectural masterpiece. Without the frame it measures—height, 
70 inches; width, 90 inches. Framed, without margin, in 5-inch 
chestnut gilt. On account of its size, it is not covered by glass. 


FRAMED ETCHINGS 


665—ErTcHInG 


The Eagle’s Nest. Etching by Th. Chauvel after J. Rousseau. 
Framed in chestnut and gold, with passe-partout. 


666—Two ErcHines 


Souvenir d’Italie. By Corot. Original etching on Dutch paper. 
Portrait of Corot. Etching by H. Grenaud. Both framed in 
imitation ebony. (2.) 


667—Turee Ercuines 
The Arch of Septimo Severo, The Tomb of Cecelia Metella and The 
Temple of Concordia in Rome. Etchings by Giambattista Pi- 
ranesi. Framed in English oak and gold bronze front; in passe- 
partout with three openings. 


Friday Evening Sale, February 26th 


668—ErcHine 
The Fisherman. By Joseph Israels. Etching by Jesse Graadt v. 
Ragge. Signed Remarque Proof on parchment. Framed in chest- 
nut gilt. - 


669—ETcHING 


A Backwater. By Sir Francis Seymour Haden. Second state, 
with the etcher’s signature in pencil. H. 178. Framed in black 
walnut and mat. 


670—Turee ErcHines 


Head of an Old Man. By Hubert Herkomer. Etching, and the 
same mezzotinted over. Fileuse Bretonne. Etching by Bonvin. 
Une Porte a Tanger. Etching by B. Constant, all three framed 
in imitation ebony. (3.) 


671—ETcHING 


The Sower. After J. F. Millet. Etching by M. Maris. Proof on 
Creswick paper, but not signed; probably a trial proof. This 
plate is one of the rarest plates after Millet, only 100 proofs hav- 
ing been published and the plate destroyed. Framed, with passe- 
partout, in ebony and gold bronze. 


672—ETcHING 


Portrait of Becquet (the Fiddler). By Whistler, James A. McN. 
W. 48, Sup. p. 35. K. 52. Very fine impression on Japanese 
paper. Framed, with a mat, in black walnut. 


673—OricInaL Ercnine. _ 
Primer Hill. By Fred. Slocombe. Proof on Creswick paper. 


Framed in imitation ebony. 


674— Ercuine 
The Altar of St. Ildefonso at Toledo. By Wm. Unger after P. P. 


Rubens. Framed in imitation ebony. 


675—ErTcHING 


Springtime. By R. Zilken. Remarque proof on Japanese paper. 
Signed. Framed, with a mat, in Dutch oak. 


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Ries ES OER Re 


Friday Evening Sale, February 26th 


676—Two Ercuines anp ONE Carson PRINT 
Portrait of Harpignies, the Painter. Etching by Gaucherel after 
Dubufe. Bearers of the Burden. Etching by Gaucherel after G. 
H. Boughton. Both framed in polished oak. The Virgin and 
Christ-child. Carbon print in red after a sanguine drawing by 
Raphael. Framed, without margin, in imitation ebony. (3.) 


677—Two Ercuines 
The End of the Act. Etching by J. A. Mitchell. Kingston on the 


Thames. Etching by Phillips. Proof on Japanese paper. Both 
framed in polished oak. (23) 


67€—Two Ercuines 


Outgoing Fishing Vessel. Etching by Boulard. Le Bas de Mon- 
tigny. Etching by E. Yon. Both framed in polished oak. (2.) 


679—Turee Ercuines 
Portrait of Mme. ***. Etching by Fr. Flameng after Leopold 
Flameng. St. Edmund’s Chapel, Westminster. Original etching 
by Léon Gaucherel. Triumph of Christ. After P. P. Rubens. 
Ktched by Chas. Waltner. All three framed in imitation ebony. 


680—Turee Ercuines 
Portrait of a Dwarf. After Velasquez. By Laguillermie. The 
Smoker. By W. M. Chase. Mlle. P.M. By Chas. Waltner after 
P. Dubois. All three framed, with mats, in imitation ebony. (3.) 


681—Two Ercurines 
Portrait of Mme. Vrydags van Vollenhoven. By Jan van Ravestyn. 
Etched by Chas. Waltner. Moulins en Hollande. Original etch- 
ing by Jongkind, on Japanese paper. Both framed, with mats in 
1-inch imitation ebony. (25) 


682—Two Ercuines 
Intérieur de cuisine en Hollande. By Jos. Israels. Framed, with 
a mat, in imitation ebony. Troupeaw de moutons. Original etch- 
ing by F. Chaigneau. 1863. Framed in dark chestnut and gilt 
front. G2") 


Friday Evening Sale, February 26th 


683—TuHreEE ETcHInGs 


Porte du Palais ducale a Venise. By J. R. P. Litoux, framed in 
polished oak and black. The Archers. After Frans Hals. By Wm. 
Unger on pp. paper. Framed, with a mat, in polished oak. La 
Fontaine. After J. J. Henner. By Ch. Courtry. Framed as above, 
without mat. (3.) 


684— ENGRAVING 


Cromwell’s Last Interview with his Favorite Daughter. By Charles 
Lucy. Engraving in mixed manner by Charles Tomkins. Framed, 


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with panel, in birdseye maple with gilt front. 


685—Four Ercuines 7 
The Weaver. Original etching by F. Bonvin. Proof on Japanese — 
paper. Framed in black walnut and mat. The Guitar Player. 7 
Original etching on Japanese paper. Framed as above. Barques 
pres de Rouen. By Th. Chaubel after Lapostolet. Framed in 


polished oak. Enterrement d'un marin a Villerville. Original 
etching by Butin. Framed as above. (4.) 


686—TuHreEe Ercuines 
Sortie du Port de Honfleur. Original etching by Jongkind. 
Framed in imitation ebony. Windmill on a Canal—Holland. Orig- 
inal etching on India paper by Ch. Storm van s’Gravesande. ; 
Framed in polished oak and black. Bateau de Transport. Orig- 
inal etching by Emile Vernier. Framed in polished oak. (3.) 


687—Turee ErcuHines 


Entrance to the Farm. Original etching by J. Alden Weir. Signed 
artist’s proof on Japanese paper. Head of a Man with a Ruff. 
Original etching by F. Dielman. N. Y. Etching Club. La Magde- 
leine. By Didier after J. J. Henner. All framed in polished 
oak. (4.) 


Friday Evening Sale, February 26th 


688—Four Ercuines 
Le Coup de Vent. By Léon Gaucherel after P. Potter. Le Parc 
aux Beufs. By G. Greux after N. Diaz. Vue de l’Avenue des 
Sections Etrangéres, Exposition Universelle de 1878. Original 
etching by Toussaint. Une Lecture chez Diderot. By Mongin 
after E. Meissonier. All four framed in polished oak. (4.) 


689—Turee Ercuines 
Portrait of Mme. Bischoffsheim. By Chas. Waltner after J. E. 
Millais. Portrait of Dr. Déllinger, head of the first “German 
Old Catholic” congregation. By A. Bichard after F. Lenbach. 
Portrait of Don Carlos. By Lecouteux after I. Bonnat. All three 
framed in polished oak. (3.) 


AMERICAN ART ASSOCIATION, 


MANAGERS. 


THOMAS E. KIRBY, 


AUCTIONEER. 


FOR INHERITANCE TAX 


AND OTHER PURPOSES 


THE AMERICAN ART ASSOCIATION 


IS EXCEPTIONALLY WELL EQUIPPED 
TO FURNISH 


INTELLIGENT APPRAISEMENTS 


OF 


ART AND LITERARY PROPERTY 
JEWELS AND PERSONAL EFFECTS OF EVERY 
DESCRIPTION 


IN CASES WHERE 


PUBLIC SALES ARE EFFECTED 


A NOMINAL CHARGE ONLY WILL BE MADE 


THE AMERICAN ART ASSOCIATION 


MADISON SQUARE SOUTH 
NEW YORK 


TELEPHONE, 3346 GRAMERCY 


COMPOSITION, PRESSWORK 


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